{"id":15117,"date":"2019-09-03T19:46:36","date_gmt":"2019-09-03T17:46:36","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=15117"},"modified":"2019-09-03T19:47:43","modified_gmt":"2019-09-03T17:47:43","slug":"why-i-am-a-fan-of-caracol","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/why-i-am-a-fan-of-caracol\/","title":{"rendered":"Why am I a fan of Caracol?"},"content":{"rendered":"<p>I don\u2019t like when other people put labels on me. I am a <em>caracolero<\/em>. Yes, an admirer of that genius <strong>Manuel Ortega Ju\u00e1rez<\/strong>, nicknamed <em>Caracol<\/em> (\u201csnail\u201d) by his father, don Manuel Ortega Fern\u00e1ndez, son of Jos\u00e9 el \u00c1guila and thus grandson of Enrique Ortega D\u00edaz\u00a0<em>El Gordo<\/em>. That\u2019s on his father side. On his mother side, he had a great-great-grandfather who made history, <strong>El<\/strong> <strong>Planeta<\/strong>\u00a0de C\u00e1diz. Yet, I don\u2019t love Caracol because of his bloodline, but because the way he sang. That\u2019s the only reason. Just like I love <strong>Enrique Morente<\/strong>, who wasn\u2019t part of any dynasty of artists.<\/p>\n<p>When people ask me about the difference between Caracol and <strong>Mairena<\/strong>, I always answer that Caracol was born with the gift of flamenco, while Mairena was born with the love for flamenco. The former was a genius and the latter was a <em>cantaor<\/em> who improved over the years and who only became a leading star after his friend <strong>Ricardo Molina<\/strong>\u00a0decided to award him the Golden Key of Cante, just because they were best friends and because Molina liked the way he sang. He created a tailor-made contest rigged with friendly judges and he turned Mairena into the biggest star of <em>cante<\/em> at a time when some legendary <em>cantaores<\/em> had already passed away and others were milking their gift to become even richer.<\/p>\n<blockquote><p><em>\u00abI think it\u2019s funny when people say that Caracol doesn\u2019t have a good discography because it\u2019s disorganized. Since when are artists supposed to have well-organized discography?\u00bb<\/em><\/p><\/blockquote>\n<p>Caracol was the genius while Mairena was the encyclopedic master. That <em>cantaor<\/em> from Seville never tried to teach anyone how to sing, he just sang in a way like few have ever sung. The master from Mairena del Alcor made a point in telling everyone how they should sing and even who should or shouldn\u2019t be believed. Why was Caracol a genius? That\u2019s something impossible to explain in an article. Have you listened to him sing when he was just 21 years old, when he recorded his first slate records? And have you listened to the first records of Mairena? They had the same age, yet there is a huge difference in those years.<\/p>\n<p>I think it\u2019s funny when people say that Caracol doesn\u2019t have a good discography because it\u2019s disorganized, and they compare it to Mairena\u2019s orderly discography. Since when are artists supposed to have a well-organized discography? In this regard, what about the discographies of <strong>Manuel Vallejo<\/strong> and <strong>Ni\u00f1a de los Peines<\/strong>, now that their recordings have been re-edited? Are they a good anthology of styles or not? The discography of Manolo Caracol should also be re-edited, as it\u2019s the work of a genius of cante, despite all those who say that he was brilliant but didn\u2019t have a good head on his shoulders.<\/p>\n<p>Who thinks about order when listening to Caracol? Not me, of course. Not even when I listen to Mairena. Indeed, what I like the most about <strong>Antonio Cruz Garc\u00eda<\/strong>\u00a0are his live performances, among friends, because that when he wasn\u2019t as concerned about order and academic coldness.<\/p>\n<p>Yes, I\u2019m a fan of Caracol, because his voice gets into my soul and then I think of nothing else but to remain completely immersed in it.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yes, I\u2019m a fan of Caracol, because his voice gets into my soul and then I think of nothing else but to remain completely immersed in it.<\/p>\n","protected":false},"author":6,"featured_media":15092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-15117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Why am I a fan of Caracol? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/why-i-am-a-fan-of-caracol\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why am I a fan of Caracol? 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