{"id":14778,"date":"2019-08-19T08:16:34","date_gmt":"2019-08-19T06:16:34","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=14778"},"modified":"2019-08-19T08:17:50","modified_gmt":"2019-08-19T06:17:50","slug":"antonio-mairena-successor-of-manuel-torres","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/antonio-mairena-successor-of-manuel-torres\/","title":{"rendered":"Antonio Mairena: successor of Manuel Torres?"},"content":{"rendered":"<p>Many flamenco stars were prone to bragging about themselves. <strong>Antonio Mairena<\/strong>\u00a0was one of them. His main references in <em>cante<\/em> were <strong>Ni\u00f1a de los Peines<\/strong>\u00a0\u2013 more than his brother Tom\u00e1s, whom he was never able to emulate\u2013,\u00a0<strong>Joaqu\u00edn el de la Paula<\/strong>\u00a0and, above all,\u00a0<strong>Manuel Torres<\/strong>. In <em>Confesiones<\/em>, his memoirs written by <strong>Alberto Garc\u00eda Ulecia<\/strong>, he told a story that reportedly happened in July 1933, when an aficionado from Carmona, one Mr. Mata, when to the house of Manuel Torres on Amapola Street in Seville, to take him to sing in a party. Manuel was already frail at the time and told him he couldn\u2019t go because he wasn\u2019t feeling well. According to Mairena, Manuel told Mata to go to Mairena del Alcor, because there he would find a Gypsy <em>cantaor<\/em> he would like. So, Mr. Mata went to Mairena del Alcor, according to the master, to quench his thirst for that style of <em>cante<\/em> that Torres used to sing.<\/p>\n<p>I\u2019ve never believed that story, like many others told by Mairena. Let\u2019s see, when Manuel Torres died, in 1933, Tom\u00e1s Pav\u00f3n was 40 years old, and he was the true successor of that genius from Jerez. Besides, Torres idolized Tom\u00e1s, and several times Manuel offered him the opportunity to perform in parties where he had been hired, so Tom\u00e1s could earn some money. It\u2019s more likely that in that evening when he couldn\u2019t sing at Mr. Mata\u2019s party, he would have recommended Tom\u00e1s, who happened to live close by Amapola Street, instead of Mairena, who lived in Mairena del Alcor, 15 miles east of Seville, where he leased a small tavern. Antonio was just 22 or 23 years old back then. Moreover, Manuel also had a son, Tom\u00e1s, who sang his father\u2019s <em>cantes<\/em> even better than the brother of Ni\u00f1a de los Peines. It would be more logical that Manuel offered the opportunity to sing in that party to his own son, or even to his brother <strong>Pepe Torres<\/strong>, who was already in Seville experiencing hardships, trying to make a living singing in the parties of Alameda.<\/p>\n<blockquote><p><em>\u00abAntonio Mairena<\/em> <em>believed that the whole Gypsy-Andalusian legacy belonged to him and not to Caracol, Perrate de Utrera or Fosforito<\/em><em>\u00bb<\/em><\/p><\/blockquote>\n<p>Antonio Mairena idolized Manuel Torres so much that he certainly dreamed up the story about Mr. Mata and his wife. He always wanted to be like Manuel Torres, since he was a teenager. That\u2019s why he brought him once to his town, to perform with him side by side on stage, which was quite presumptuous on his part. When Manuel passed away, Mairena started saying that he was his was his successor. There is a promotional poster from the time when Antonio was known as <strong>Ni\u00f1o de Mairena<\/strong>, in the 1930s, which states \u201c<em>Ni\u00f1o de Mairena, successor of Manuel Torres and winner of this year\u2019s prize in Seville\u2019s Holy Week Saetas Contest<\/em>\u201d. That was a poster of the <em>\u00d3pera Flamenca<\/em>, by the way, proving wrong those who say that Mairena never sang in between movie screenings. Well, he did. He performed wherever and whenever he could, like everyone else.<\/p>\n<p>When Tom\u00e1s Pav\u00f3n passed away in 1952, Mairena continued trying to make a living as a <em>cantaor<\/em>, also in the Alameda district of Seville. He wasn\u2019t renowned yet and he needed to earn a living somehow. His agent for the parties of Alameda was one <strong>Juan el Tanque, <\/strong>who started promoting Antonio as the successor of Tom\u00e1s two days after he died, and Mairena went along with it. When <strong>Arturo Pav\u00f3n<\/strong>, the eldest brother of Tom\u00e1s and Pastora, found out about the shenanigans of Juan El Tanque, he confronted him and broke a bottle in his head, for what he was arrested. Antonio then avoided the parties of Alameda, fearing Arturo, who had a violent character. They never got along.<\/p>\n<p>The great master of Mairena also thought of himself as the successor of Ni\u00f1a de los Peines, his idol. This is made clear in the text included in his 1969 record <em>Honores a la Ni\u00f1a de los Peines<\/em>, recorded as a tribute in her honor. But let\u2019s leave this for another occasion.<\/p>\n<p>One thing I always admired about Antonio Mairena was how he venerated his masters, to the point that he believed to be their successor. He always thought that the whole Gypsy-Andalusian legacy belonged to him and not to <strong>Caracol, Perrate de Utrera<\/strong>\u00a0or\u00a0<strong>Fosforito<\/strong>. That\u2019s why he never credited to himself <em>cantes<\/em> he created, because doing so would undermine his whole Gypsy-centric theories.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antonio Mairena told a story where Manuel Torres suggested to an aficionado from Carmona to go to<br \/>\nMairena del Alcor, because there he would find a Gypsy cantaor he would like. So, Mr. Mata went to Mairena del Alcor to quench his thirst for that style of cante that Torres used to sing<\/p>\n","protected":false},"author":6,"featured_media":14758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-14778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Antonio Mairena: successor of Manuel Torres? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/antonio-mairena-successor-of-manuel-torres\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonio Mairena: successor of Manuel Torres? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Antonio Mairena told a story where Manuel Torres suggested to an aficionado from Carmona to go to  Mairena del Alcor, because there he would find a Gypsy cantaor he would like. 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