{"id":14485,"date":"2015-09-25T21:43:12","date_gmt":"2015-09-25T19:43:12","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=14485"},"modified":"2019-08-04T21:44:51","modified_gmt":"2019-08-04T19:44:51","slug":"seven-years-without-mario-maya","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/seven-years-without-mario-maya\/","title":{"rendered":"Seven years without Mario Maya"},"content":{"rendered":"<p>Next Sunday, September 27th, will be the seventh anniversary of the death of the great <em>bailaor<\/em>and choreographer Mario Maya, possibly the best <em>bailaor<\/em>flamenco of all times, certainly the most complete, although, as always, I respect the opinions of others. It would be impossible to write here all about his long artistic career, because he was a professional for several decades, and he made so many different things in <em>baile<\/em>, and in flamenco in general, that a good book would be necessary. We were working on it when a quick illness took him away from us. We had long conversations about his artistic and personal life, gathering material from his own archives, and from the archives of others, aiming to write his memoirs. He was a gypsy <em>bailaor<\/em>born in C\u00f3rdoba, but raised in his beloved Granada, who overcame all adversities to become the number one in <em>baile<\/em>flamenco, ruling this genre for several decades, having his own and stable company, where many of today\u2019s famous flamenco dancers started. As <em>bailaor<\/em>and choreographer, he was unparalleled. On the personal side, he was an interesting man, cultured, committed, who had an extraordinary sensibility. He was also a very critical artist, very demanding of himself and of others, always shunning bad taste and vulgarity. He was a leftist, but always very critical of government, regardless of the party in power, as shown by his long career, especially when he was elected by the government of Andalusia to create what became the Ballet Flamenco de Andalucia. He told me that this was not a good experience, because he found out about the Andalusian cultural policy backrooms, and he got bounced, but not before declaring to a major national newspaper, <em>El Mundo<\/em>, that \u201cthe Andalusian politicians were the new <em>se\u00f1oritos<\/em>\u201d. Which is about the same that Francisco Moreno Galv\u00e1n said in lyrics, popularized by Jos\u00e9 Menese: they were the same dogs, with the very same collars (\u201c<em>eran los mismos perros, con los mismitos, mismitos collares<\/em>\u201d). The experience wasn\u2019t good, but the result is there for all to see: now we have with <em>baile<\/em>artists such as Rafaela Carrasco e Israel Galv\u00e1n, without forgetting his own daughter, Bel\u00e9n Maya, who were the best ones to come out of that experience. Mario was also a gypsy with grace, perhaps not always understood, because his grace was a refined and intelligent one, far from the prevailing vulgarity of those flamencos who get up every day only thinking of something funny to say at the neighbourhood tavern or at some radio or TV interview. Mario Maya hated those \u201c<em>flamenquitos<\/em>\u201d, as he called them, and he always bet on true talent and, above all, on the young artists who were willing to commit themselves to <em>baile<\/em>, to love it above all things and to have the necessary discipline for it. For all the above, I confess that he has been the <em>bailaor<\/em>that I have most admired in these forty years that I have been immersed in flamenco, and I have known and dealt with them all, from Farruco to Manolete, passing by Rafael el Negro, El G\u00fcito or Antonio Gades, who was from another dimension. Not forgetting today\u2019s artists such as Joaqu\u00edn Cort\u00e9s, Antonio Canales, Javier Bar\u00f3n or Farruquito. No one surpassed Mario in his heyday, and ever since he left us, no one has been able to fill his shoes. Some artists are so great that they\u2019re unmatched even after death, if death is even possible for such immortal geniuses as Mario Maya Fajardo, the gypsy who always dreamed of a flamenco world that was cultured, committed, free and visionary without ever forgetting the past. It\u2019s been seven years since he passed away and he still lives, because creators become eternal among the creases of their works.<\/p>\n<p>&nbsp;<\/p>\n<p>*Rich upper-class gentlemen who paid to be entertained by flamenco artists without really knowing anything about flamenco.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some artists are so great that they\u2019re unmatched even after death, if death is even possible for such immortal geniuses as Mario Maya Fajardo, the gypsy who always dreamed of a flamenco world that was cultured, committed, free and visionary without ever forgetting the past.<\/p>\n","protected":false},"author":6,"featured_media":14483,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-14485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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