{"id":14362,"date":"2019-07-29T20:07:03","date_gmt":"2019-07-29T18:07:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=14362"},"modified":"2019-07-29T20:12:37","modified_gmt":"2019-07-29T18:12:37","slug":"manuel-ojeda-el-burrero","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuel-ojeda-el-burrero\/","title":{"rendered":"Manuel Ojeda El Burrero"},"content":{"rendered":"<p>Seville forgets its people in a shameful way. The history of flamenco couldn\u2019t be told without dedicating one of its main chapters to <strong>Manuel Ojeda Rodr\u00edguez,\u00a0<em>El Burrero<\/em><\/strong>, a pioneer in the creation of the <em>caf\u00e9s cantantes<\/em> together with <strong>Silverio Franconetti<\/strong>. The story of Don Manuel deserves a book, a very thick one, which should be written one day. He was from Seville\u2019s La Macarena district, and had a very entrepreneurial spirit since a very young age. Apparently, when he was young, he sold <em>leche de burra<\/em> (donkey milk), and that\u2019s how he got his nickname <em>El Burrero<\/em>.<\/p>\n<p>He was an aficionado of Seville\u2019s <em>cante<\/em> and <em>baile<\/em>, and one day he figured he would open a venue to offer art to the <em>guiris<\/em>, that is, the foreigners, since he noticed they would spend good money visiting the <em>bolero<\/em> academies of <strong>Miguel<\/strong>\u00a0and\u00a0<strong>Manuel de la Barrera<\/strong>,\u00a0<strong>Botella<\/strong>\u00a0and other <em>boleros<\/em> in the city of Seville. Since the 1840s, the <strong><em>Sal\u00f3n Recreo<\/em> <\/strong>had been located on Tarifa Street, in the Campana district, at the heart of the city. At the time, it was leased by the <em>bolero<\/em> from Antequera (M\u00e1laga) \u2014 although he had grown up in Seville \u2014, <strong>Miguel de la Barrera y Quintana<\/strong>, who was not a brother of Manuel de la Barrera y Valladares, as it\u2019s often said. People would talk about the \u201cBarrera brothers\u201d, because Miguel had a brother, Cayetano, who was also a <em>bolero<\/em>.<\/p>\n<p>The <em>Sal\u00f3n Recreo<\/em> was located in the corner of Amor de Dios street, on the ground level of a huge house on Tarifa Street. It was also known as <strong><em>Sal\u00f3n de la Escalerilla<\/em><\/strong>\u00a0(Hall of the Little Staircase), since people entered the venue by climbing up a spiral staircase. The problem was not climbing up but climbing down instead. If people had too many drinks, as was often the case, they may end up of at the first-aid station on Alameda de H\u00e9rcules, as it happened several times. Either due to a fall, or due to a knife slash, since brawls were common, caused by wine, jealousy or artistic rivalries.<\/p>\n<p>All <em>boleros<\/em> and <em>boleras <\/em>of Seville performed in that venue for many years, joined by the <em>cante<\/em> of the best <em>cantaores<\/em> in the city, among them Silverio Franconetti himself, who was a friend of El Burrero. When Silverio came back from South America in 1854, he stayed in C\u00e1diz but he would travel to Seville to perform in that venue and others in the capital of Andalusia. He was not an entrepreneur yet, but he was already thinking about starting his own business. Silverio performed at Sal\u00f3n Recreo in 1865, as advertised in the <em>El Porvenir\u00a0<\/em>newspaper of March 25<sup>th<\/sup>, 1865, when he was joined by <strong>Jos\u00e9 Ord\u00f3\u00f1ez,\u00a0<em>Juraco<\/em><\/strong>, a <em>cantaor<\/em> from Alcal\u00e1 de Guada\u00edra.<\/p>\n<p>Silverio would alternate these performances with trips to Madrid, to the <em>Sal\u00f3n de Capellanes<\/em>, for example, where he already performed as his own company. At the time, he was 35 years old, and very eager to make money, so he started to come out as an entrepreneur. In 1868, he would get married in M\u00e1laga to <strong>Ana Torrecilla<\/strong>, from Linares (Ja\u00e9n). That\u2019s when he decided to settle in Seville, his birthplace, living at Alameda de H\u00e9rcules to be close to the halls, academies and cafes in that area. He would have two different addresses in Seville, one at Alameda de H\u00e9rcules, and another on Potro street (renamed Ana Orantes Street in 2019), as he was the director of a <em>caf\u00e9 cantante<\/em> on nearby Amor de Dios street, which was known as <strong>Caf\u00e9 de Silverio<\/strong>, although he didn\u2019t actually owned it<\/p>\n<p>In 1871, Silverio already shows up as the director of the <em>Sal\u00f3n Recreo<\/em>, on Tarifa street, and that\u2019s when he starts his business relationship with Manuel El Burrero. This venue then stopped being a sanctuary of the <em>bolero<\/em> school, becoming a <em>caf\u00e9 flamenco<\/em> instead, which soon became famous as <em>Caf\u00e9 El Burrero<\/em>, in honor of its owner. Silverio and Manuel were great aficionados of <em>cante<\/em>, although they had different tastes. Franconetti was partial to the Gypsy school, and loved C\u00e1diz, Jerez and Los Puertos, while El Burrero preferred <em>malague\u00f1eros<\/em> and <em>malague\u00f1eras<\/em>, and elegant and slender dancers. After a few successful years, they decided to part ways and that\u2019s when Silverio opened his own caf\u00e9, <em>Sal\u00f3n Silverio<\/em>, in 1881, located on number 4 Rosario Street in the heart of Seville.<\/p>\n<p>El Burrero would remain on Tarifa Street until 1888, but business was going so bad, with competition from his old business partner, El Filarm\u00f3nico and other venues, that he decided to play hard and relocate his caf\u00e9 to 11 Sierpes Street, the best street in Seville. He was already tired of the harassment by the authorities, caused by the murder of <strong>El Canario<\/strong> in his summer venue, located by the Triana bridge, so he decided to lease what was the <strong>Military Casino<\/strong> in 1888, making the <em>Caf\u00e9 del Burrero<\/em> as successful as it had been ten or twelve years earlier. Despite the scandal, Manuel succeeded, and his caf\u00e9 made history in Seville.<\/p>\n<p>He would not enjoy the good times for long, though, as he broke a hip when he lived on San Pablo Street (<em>Reyes Cat\u00f3licos<\/em>), causing a gangrene which led to his death at the beginning of the 20<sup>th<\/sup> century. That was the end of the story of his celebrated <em>caf\u00e9 cantante<\/em>, the most famous <em>caf\u00e9 flamenco<\/em>, together with <em>Sal\u00f3n Silverio<\/em> and, a little later, <em>Sal\u00f3n Novedades<\/em>. Seville has forgotten Manuel Ojeda\u00a0<em>El Burrero<\/em>, just as it forgot Silverio, Juan de Dios and L\u00f3pez Olea, and that\u2019s how history has been written.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: right;\"><strong>* Photo of the <em>Caf\u00e9 Cantante El Burrero<\/em> taken by Emilio Beauchy Cano, c. 1881.<\/strong><\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caf\u00e9 del Burrero was the most famous caf\u00e9 flamenco, together with Sal\u00f3n Silverio and, a little later, Sal\u00f3n Novedades. Seville has forgotten Manuel Ojeda \u2018El Burrero\u2019, just as it has forgotten Silverio, Juan de Dios and L\u00f3pez Olea, and that\u2019s how history has been written.<\/p>\n","protected":false},"author":6,"featured_media":14349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-14362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manuel Ojeda El Burrero - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuel-ojeda-el-burrero\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manuel Ojeda El Burrero - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Caf\u00e9 del Burrero was the most famous caf\u00e9 flamenco, together with Sal\u00f3n Silverio and, a little later, Sal\u00f3n Novedades. 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