{"id":13729,"date":"2015-09-14T10:27:19","date_gmt":"2015-09-14T08:27:19","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=13729"},"modified":"2019-07-07T10:28:30","modified_gmt":"2019-07-07T08:28:30","slug":"culture-of-the-people-putting-up-a-show","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/culture-of-the-people-putting-up-a-show\/","title":{"rendered":"Culture of the people: putting up a show"},"content":{"rendered":"<p>In the last few years, I\u2019ve been amazed at how expensive the flamenco events\u2019 tickets in Seville have become, especially for the <em>Bienal<\/em>, and for this new festival, <em>Septiembre es Flamenco<\/em>, also known as <em>Bienalita<\/em>(as basically it\u2019s the same thing). I\u2019ve been amazed not just because we\u2019re going through a brutal recession, what must be taken in account, but because flamenco is culture, and the high prices prevent many to access this culture. Especially the young people in Seville\u2019s poorest neighbourhoods, suffering the scourge of unemployment, who only seem to matter at the time of elections. In this new festival of Seville, intended for the years with no <em>Bienal<\/em>, we miss many things, and one of them is the promotion of young talent, instead of almost always inviting those artists with commercial pull. In the towns of the province of Seville, there are many good <em>cantaores<\/em>worthy of performing in this kind of festivals who would attract public, some more than others. I mean towns such as Lebrija, Utrera, Mairena, la Puebla de Cazalla or Los Palacios, to name a few. It\u2019s easy to sit down and design a poster filed with well-known names, although in some cases those posters are made by the artists\u2019 representatives and not by the festival directors, as it happens at the Bienal. One thing is to manage a flamenco festival, but another quite different is to program it, creating with brains and knowledge, opening proposals and knowing what has to happen at every moment. That, among many other things, is to direct a festival. Yet, as long as there is enough public paying 25 euros per head to fill venues for one and a half hour of entertainment, nothing will change.<\/p>\n<p>That is the cultural policy of Seville\u2019s town hall, regardless of the party in charge. A city, cradle of flamenco, where traditional <em>pe\u00f1as<\/em>in Macarena or in Triana are closed, where there isn\u2019t a good archive centre for researchers or aficionados. I have said that the people of Seville, a city so important for the <em>arte jondo<\/em>, don\u2019t know the history of flamenco, and I say it again. Most people in Seville don\u2019t really know who were Silverio, Campanera or Maestro P\u00e9rez. They don\u2019t know how everything started, or which artists where the key players in the creation of what we now call flamenco, or which entrepreneurs contributed to make the capital of Andalusia the most <em>flamenca<\/em>city in the world from the XIX century on. Our politicians wrap themselves in culture when they talk about flamenco, but they don\u2019t promote its research, and they think that by organizing the <em>Bienal\u00a0<\/em>(to give one example), they\u2019ve already done their duty. A festival inaccessible to many young people because of the abusive ticket pricing, or because they\u2019re unable to buy tickets on-line, and when they come to the venues everything has been sold out to outsiders, who are truly the program\u2019s target market. Then, because the tickets are sold out for most events, the organizers pat themselves in the back, as if they were showbiz impresarios instead of representatives elected by the people to manage culture, among other things. Flamenco is a fundamental part of Andalusian culture (and of Seville\u2019s culture in this particular case) which, like the writer and <em>cantaor\u00a0<\/em>Luis Caballero once said, is more than just wine and song. I would add: it\u2019s more than just filling up venues.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Flamenco is a fundamental part of Andalusian culture which, like the writer and cantaor\u00a0Luis Caballero once said, is more than just wine and song. I would add: it\u2019s more than just filling up venues.<\/p>\n","protected":false},"author":6,"featured_media":13727,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-13729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Culture of the people: putting up a show - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/culture-of-the-people-putting-up-a-show\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Culture of the people: putting up a show - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Flamenco is a fundamental part of Andalusian culture which, like the writer and cantaor\u00a0Luis Caballero once said, is more than just wine and song. 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