{"id":13470,"date":"2019-06-25T19:17:50","date_gmt":"2019-06-25T17:17:50","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=13470"},"modified":"2019-06-25T19:22:34","modified_gmt":"2019-06-25T17:22:34","slug":"an-established-star","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/actualidad-en\/an-established-star\/","title":{"rendered":"An established star?"},"content":{"rendered":"<p>Is Rosal\u00eda a problem for flamenco, or its salvation? There are all kinds of opinions about this, for all tastes. Flamenco doesn\u2019t need to be saved because it hasn\u2019t been kidnaped and it\u2019s not in danger of extinction. It\u2019s true that it\u2019s going through a bit of an identity crisis which has caused confusion, but it has overcome worse challenges in the past. Do you remember when <strong>Dem\u00f3filo <\/strong>said that <strong>Silverio<\/strong> was going to destroy Gypsy <em>cante<\/em>, and it turned out being the other way around, as he rather prevented it from vanishing, by opening <em>cafes cantantes<\/em>, creating a company of artists and striving to dignify it?<\/p>\n<p>Everyone knows that Rosal\u00eda is not a <em>cantaora<\/em>. She\u2019s just a\u00a0 singer with delusions of being a <em>cantaora<\/em>, nothing more. It\u2019s annoying when people say that she has never tried to portray herself as a <em>cantaora<\/em>, because it\u2019s not true. She did just that, because she knew that it was a good way to become what she became, a singer of global success who gets paid whatever she asks for. She likes fame and money, without a doubt, and she picked <em>cante flamenco<\/em>, instead of opera of Spanish pop, because she knew that the outrage of flamenco purists would perfectly suit her goal.<\/p>\n<p>She threw her nets in the ocean of <em>cante flamenco<\/em> to see who would get entangled, and even prestigious flamencologists \u2014 those modern and progressive \u2014 fell for it. No need to say names. Some of those flamenco visionaries even said that this singer from Barcelona was a kind of revolutionary who had come to rescue flamenco from dying in the mud of boredom and routine. They even dared to compare her to <strong>Ni\u00f1a de los Peines <\/strong>and they\u2019re still on the loose. Well, they said that a couple of years ago and we\u2019re still waiting. \u201cShe sings before tens of thousands of people!\u201d, they claim. And so what? This has already been done by other flamenco artists.<\/p>\n<p>Then there is the argument that Rosal\u00eda is damaging flamenco. We don\u2019t think she\u2019s that powerful, even as she shows up everywhere. The same was said about Silverio, <strong>Marchena, Lebrijano<\/strong>\u00a0and\u00a0<strong>Morente<\/strong>, to name a few examples of true revolutionaries. Could we conceive cante without those geniuses? Not at all. Yet, Rosal\u00eda has no importance in flamenco. None. And we don\u2019t think she will have any positive impact with her flamenco-ish parodies. If we weren\u2019t such an uncouth country, like we are, this girl wouldn\u2019t be considered more than she is: a successful singer who figured out a way to become rich.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Everyone knows that Rosal\u00eda is not a cantaora. She threw her nets in the ocean of cante flamenco to see who would get entangled, and even prestigious flamencologists fell for it. They even dared to compare her to Ni\u00f1a de los Peines and they\u2019re still on the loose. She has no importance in flamenco. None.<\/p>\n","protected":false},"author":4,"featured_media":7229,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[172],"tags":[],"class_list":["post-13470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>An established star? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/actualidad-en\/an-established-star\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An established star? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Everyone knows that Rosal\u00eda is not a cantaora. She threw her nets in the ocean of cante flamenco to see who would get entangled, and even prestigious flamencologists fell for it. They even dared to compare her to Ni\u00f1a de los Peines and they\u2019re still on the loose. She has no importance in flamenco. 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