{"id":13353,"date":"2016-03-04T19:50:00","date_gmt":"2016-03-04T18:50:00","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=13353"},"modified":"2019-06-20T19:51:30","modified_gmt":"2019-06-20T17:51:30","slug":"ofense-to-miguel-poveda","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/","title":{"rendered":"Ofense to Miguel Poveda"},"content":{"rendered":"<p>Many of you already know that my professional relationship with the Catalan cantaor Miguel Poveda isn\u2019t very good. It\u2019s not bad either. He is one of today\u2019s most famous cantaores, and my job is, among other things, to analyse what cantaores do. Somehow, Miguel has always thought that my critics towards him were personal, but this has never been the case, because I couldn\u2019t care less about what each cantaor is, or does, outside the stage. On the personal level, I may like some cantaores more than others, but I\u2019m pretty sure that in my almost forty years as flamenco critic I have never told any gossip about any of them, simply because I write for a serious, centennial newspaper such as <em>El Correo de Andaluc\u00eda<\/em>, and now also for ExpoFlamenco, where I contribute precisely because it\u2019s a serious website, not prone to sensationalism.<\/p>\n<p>Last Wednesday night I read a letter that Poveda sent to AireFlamenco.com where he denounced the president of the <em>Pe\u00f1a Flamenca Enrique el Mellizo<\/em>, in C\u00e1diz, accusing him of homophobia. I felt outraged because it pisses me off that such things still happen in this time and age, specially in one art, flamenco, where, if at one time there was any problem with homosexuality, it\u2019s something that was overcome a long time ago, or at least that\u2019s what I think. That doesn\u2019t mean that there aren\u2019t any homophobes in flamenco, because flamenco is part of society, and there are all kinds of people in our society. It\u2019s not a matter of saying that Poveda doesn\u2019t deserve such treatment because he loves C\u00e1diz, something he has shown countless times. Oddly, the man who called the cantaor, in private, a \u201c<em>piece of faggot<\/em>\u201d, Antonio Ben\u00edtez P\u00e9rez, is president of a pe\u00f1a, mentioned above, of which Miguel is an Honorary Member. Obviously, Poveda no longer wants that title, although whatever the president did is not the fault of the members of that entity. Flamenco is an art where gypsies, non-gypsies and people of different ideologies, religions, nationalities and ethnic groups live together in harmony. That is precisely one of it\u2019s charms, the integrating and tolerant character of the flamencos, specially at the pe\u00f1as. I can say this as I was president of a pe\u00f1a myself even before I considered becoming a flamenco critic. I assume that Mr. Ben\u00edtez who, besides being president of this famed pe\u00f1a, is also an artists\u2019 agent, will apologize publicly, specially to Miguel, who feels hurt. Miguel Poveda is one of the main stars of this art and, regardless of personal tastes, he is greatly esteemed by his colleagues. He has always been willing to help in solidarity for a good cause, and he has never hesitated in helping young talents, such as with their discography, for example. Yet, Miguel\u2019s fame and character are really beyond the point. It\u2019s unacceptable that this had happened, be it to Poveda or to the humblest of palmeros. I have known Antonio Ben\u00edtez and I know that he is not the type of person to have such kind of prejudices, among other things because has seen it all and has dealt with all kinds of artists. I suppose that this matter can be resolved without greater consequences, because the <em>Pe\u00f1a Enrique el Mellizo<\/em>is a renowned institution in C\u00e1diz and elsewhere, it\u2019s a very old and venerable cultural entity, among the best in the world. There is nothing that cannot be resolved with sincere apologies and a few drinks. Let\u2019s hope that we never have to write about this again, because it\u2019s an unpleasant topic. The Cantaor had all the right to denounce, but perhaps he didn\u2019t fully weigh the consequences of doing so publicly, which had created an upheaval in the media. After all, Antonio Ben\u00edtez didn\u2019t voice his offence publicly, but privately, in a voice mail, and they could have resolved this in a different way.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last Wednesday night I read a letter that Poveda sent to AireFlamenco.com where he denounced the president of the Pe\u00f1a Flamenca Enrique el Mellizo, in C\u00e1diz, accusing him of homophobia.<\/p>\n","protected":false},"author":6,"featured_media":13351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-13353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ofense to Miguel Poveda - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ofense to Miguel Poveda - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Last Wednesday night I read a letter that Poveda sent to AireFlamenco.com where he denounced the president of the Pe\u00f1a Flamenca Enrique el Mellizo, in C\u00e1diz, accusing him of homophobia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-04T18:50:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-20T17:51:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Ofense to Miguel Poveda\",\"datePublished\":\"2016-03-04T18:50:00+00:00\",\"dateModified\":\"2019-06-20T17:51:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/\"},\"wordCount\":689,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/expoflamenco-miguel-poveda-coplas-querer.jpg\",\"keywords\":[\"cantaor\"],\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/\",\"name\":\"Ofense to Miguel Poveda - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/expoflamenco-miguel-poveda-coplas-querer.jpg\",\"datePublished\":\"2016-03-04T18:50:00+00:00\",\"dateModified\":\"2019-06-20T17:51:30+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/expoflamenco-miguel-poveda-coplas-querer.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/expoflamenco-miguel-poveda-coplas-querer.jpg\",\"width\":1300,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/ofense-to-miguel-poveda\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ofense to Miguel Poveda\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ofense to Miguel Poveda - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/","og_locale":"en_US","og_type":"article","og_title":"Ofense to Miguel Poveda - Archivo Expoflamenco","og_description":"Last Wednesday night I read a letter that Poveda sent to AireFlamenco.com where he denounced the president of the Pe\u00f1a Flamenca Enrique el Mellizo, in C\u00e1diz, accusing him of homophobia.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2016-03-04T18:50:00+00:00","article_modified_time":"2019-06-20T17:51:30+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Ofense to Miguel Poveda","datePublished":"2016-03-04T18:50:00+00:00","dateModified":"2019-06-20T17:51:30+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/"},"wordCount":689,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg","keywords":["cantaor"],"articleSection":["Bordonazo NEW"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/","name":"Ofense to Miguel Poveda - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg","datePublished":"2016-03-04T18:50:00+00:00","dateModified":"2019-06-20T17:51:30+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/06\/expoflamenco-miguel-poveda-coplas-querer.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/ofense-to-miguel-poveda\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Ofense to Miguel Poveda"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/13353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=13353"}],"version-history":[{"count":2,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/13353\/revisions"}],"predecessor-version":[{"id":13355,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/13353\/revisions\/13355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/13351"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=13353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=13353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=13353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}