{"id":12814,"date":"2019-06-04T20:04:09","date_gmt":"2019-06-04T18:04:09","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=12814"},"modified":"2019-06-05T16:59:35","modified_gmt":"2019-06-05T14:59:35","slug":"manuela-carpio-that-amazing-girl","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuela-carpio-that-amazing-girl\/","title":{"rendered":"Manuela Carpio: that amazing girl"},"content":{"rendered":"<p><span lang=\"EN-US\">Are these days good days for <i>baile<\/i>? Some say yes, others say no. In the last forty years I\u2019ve watched performances of forty or fifty great <em>bailaoras<\/em>, from <strong>Matilde Coral<\/strong> to all of today\u2019s youngsters. I never had the chance to watch <strong>Trini Espa\u00f1a<\/strong> performing live, I have only watched videos of her, and I think she\u2019s amazing, a perfect combination of elegance and Sevillan flamenco feel. I have always liked <em>bailaoras<\/em> who are able to give a unique dimension in a single performance, that\u2019s a gift from the gods. Matilde has been encyclopedic in baile, such as <strong>Mairena<\/strong> has been in <em>cante<\/em> or <strong>Montoya<\/strong> in guitar. Yet, I want to highlight those who have thrilled me by <em>buler\u00edas<\/em>, since these days very few are good in this very difficult <em>baile<\/em>, which has been deplorably vulgarized. I remember magical moments of <strong>T\u00eda Juana la del Pipa<\/strong>. This Gypsy from Jerez danced without embellishments, her footwork was amazingly natural and her arm movements were like no other. She was spectacular because of her simplicity, not because of jumps or stomping on the stage to the breaking point. In those days I enjoyed many times performances by non-professional <em>bailaoras<\/em> from Triana, from <em>Cava Gitana<\/em>, such as <strong>Pepa la Calzona<\/strong>, related to Juan Pelao, the celebrated <em>martinetero<\/em>. <\/span><\/p>\n<p><span lang=\"EN-US\">One night in Seville, at the Lope de Vega theater, I discovered a girl from Jerez, <strong>Manuela Carpio Moneo<\/strong>, who performed in <strong>Manuel Morao<\/strong>\u2019s Company. That was about thirty-five years ago (so Manuela would have been around twelve). She only danced for two minutes and she got all in the theater standing up. After that night, I watched her perform many other times, in shows such as <i>La fragua del T\u00edo Juane\u00a0<\/i>or <i>Esa forma de vivir<\/i>. Then I lost track of her. I only saw her again in some TV shows. She had been focusing on teaching, but now she wants to get back to the festivals, after dazing the public in the last <i>Fiesta de la Buler\u00eda de Jerez<\/i>. <\/span><span lang=\"EN-US\">That\u2019s good news, no doubt, because in the festivals I miss that way of dancing, that school, which has inexplicably disappeared, giving way to the so-called contemporary school, which is fundamentally based on technique. That\u2019s also <em>baile<\/em> flamenco, but a different kind. I wouldn\u2019t say it doesn\u2019t have a soul, because there is no flamenco without soul, that would be impossible. Yet, the contemporary school is a school of pose, of tiring choreographies that only seek plastic beauty and pleasing the public. <\/span><\/p>\n<p><span lang=\"EN-US\">Manuela Carpio remains a bailaora of tradition and class, pure to her roots, having a supernatural strength and preserving the essence of the school of Jerez, which is unique and has been shaped through the years by the great <em>bailaoras<\/em> of that land, professionals or not. I think that both schools, the classic and the contemporary, can live together in harmony, as they always had. <strong>La Argentinita<\/strong> created <i>Las Calles de C\u00e1diz, <\/i>a historic production, to allow both forms to coexist, that\u2019s why she took with her three outstanding<em> bailaoras<\/em> from Jerez such as <strong>La Macarrona<\/strong>, <strong>La Malena<\/strong> and <strong>Fernanda Ant\u00fanez<\/strong>, contrasting their classic styles with the more modern styles of her sister <strong>Pilar L\u00f3pez<\/strong> and herself. A century earlier, <em>bolero<\/em> dancers lived in perfect harmony with flamenco dancers. Yet, to forget the <em>bailaoras<\/em> who still keep the classic forms and that special Andalusian way of dancing (Gypsy or not), is to give up all that has made flamenco dance such a unique art in the world. That\u2019s why I celebrate the fact that Manuela Carpio is again interested in dancing at the towns\u2019 festivals, at the Cultural Weeks\u2019 events, and at the international festivals. Because that emotion, that almost wild way of dancing <i>lo jondo<\/i>, is being sorely missed. Manuela never left, she combines teaching with performing, but her performances have been too sporadic. If she\u2019s willing to thrill us again, let\u2019s her do so. Let the prodigy girl of Moneo and Carpio amaze us again and daze us with emotion, now with a well-aged sweet aftertaste.<\/span><\/p>\n<h6 style=\"text-align: right;\">* This article was originally published in ExpoFlamenco on November 27th, 2015 \/ Photo by Juan Garrido<\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If she\u2019s willing to thrill us again, let\u2019s her do so. Let the prodigy girl of Moneo and Carpio amaze us again and daze us with emotion, now with a well-aged sweet aftertaste.<\/p>\n","protected":false},"author":6,"featured_media":12812,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-12814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Manuela Carpio: that amazing girl - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/manuela-carpio-that-amazing-girl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manuela Carpio: that amazing girl - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"If she\u2019s willing to thrill us again, let\u2019s her do so. 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