{"id":12524,"date":"2019-05-24T22:14:27","date_gmt":"2019-05-24T20:14:27","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=12524"},"modified":"2019-05-26T01:59:48","modified_gmt":"2019-05-25T23:59:48","slug":"is-the-fan-phenomenon-back-again-in-cante","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/","title":{"rendered":"Is the Fan Phenomenon back again in cante?"},"content":{"rendered":"<p>It\u2019s encouraging to witness young people loving flamenco all around the world. Some people think that this is a new thing, but it has always been like that. We are wrong if we thing that all those people going to the festivals more than half a century ago were just old lads wearing flat caps and keeping the beat with wicker canes. <strong>Juan Valderrama<\/strong> and <strong>Antonio el Sevillano<\/strong> once told me that when they sang at the bullfighting rings, after the Spanish Civil War, young people would fight each other trying to get into the venues or into the theaters to watch flamenco performances. Yet, what is happening today is truly spectacular: young people go <em>en masse <\/em>to the summer festivals and to concerts in theaters, even as today there is much more variety in music, comparing with what was available for young people seventy years ago, who only had <em>cante <\/em>available to them, especially in the small towns.<\/p>\n<p>However, there is one thing that has caught my attention: the \u201cfan phenomenon\u201d, those young people who go to events just to listen to their favourite <em>cantaor<\/em>, cheering them wildly regardless of the quality of their performance. Did such thing also happen at the time of Valderrama, <strong>Marchena<\/strong> and <strong>Ni\u00f1a de los Peines<\/strong>? Valderrama says it did, although it was different: the aficionados were more demanding, more critical, they would not applaud everything. For example, it once happened that <strong>Chac\u00f3n<\/strong>, no less, was booed in Seville for being out of tune, and he was the best <em>cantaor <\/em>of his time. <strong>Antonio Mairena<\/strong> told that story, but he never told the story of when he and <strong>Chocolate<\/strong> were ran out of a town in Seville, Villa Nueva del Ariscal, because they attempted to sing old <em>martinetes<\/em>, while the public was more in the mood for <em>fandangos<\/em>. Chocolate told me that story.<\/p>\n<p>Yet, today\u2019s fans of the young stars of <em>cante<\/em>, such as, say, <strong>Miguel Poveda, Estrella Morente, Arc\u00e1ngel, Antonio Reyes<\/strong> or <strong>Rancapino <em>hijo<\/em><\/strong>, tend to be predisposed to cheer them wildly, regardless of how well they perform. This is the \u201cfan phenomenon\u201d, which is starting to look very much like the fan phenomenon of pop music. We already saw this happening with <strong>Camar\u00f3n de la Isla<\/strong>, whose thousands of fans wouldn\u2019t even listen to other artists in the festivals and events where he performed. <em>Cante <\/em>is not pop music. Knowledge is necessary to be able to appreciate a good performance. It\u2019s is necessary to be able to distinguish the different <em>palos<\/em>, to tell if the <em>cantaores <\/em>are at the right <em>comp\u00e1s<\/em>, to tell if they are able to sing with guitar, or to tell if they&#8217;re faking it, which is something exceedingly common these days. <em>Ojana<\/em>, flamenco faking, existed in the old days, too, of course, but it wasn\u2019t as prevalent as it is now. In those days, the <em>cantaores <\/em>and <em>cantaoras <\/em>didn\u2019t hide behind so much gadgetry, they only sang accompanied by guitar and their voices were always at the forefront. Sometimes I\u2019ve been shocked watching the whole public in a theater give a standing ovation to terrible performance.\u00a0 I don\u2019t mean to say that it&#8217;s necessary to be a flamenco expert to be able to enjoy a <em>cante por sole\u00e1<\/em>, but the education of the aficionado is essential, one has to know the basics, a bare minimum, to be able to know when to clap and when not to clap, as clapping is not an obligation. Clapping is in order when the artist has performed well, not when his performance has been disastrous. It\u2019s not a matter of harassing anyone, but a standing ovation should not be given unless it\u2019s deserved, otherwise we\u2019ll end up with a war among fans of different artists.<\/p>\n<p>I wouldn\u2019t be surprised if one night in a concert of the Bienal, we\u2019d find groups of people with banners of the artists, as it now happens at the concerts of <strong>David Bisbal<\/strong> or <strong>Pablo Albor\u00e1n<\/strong>.\u00a0<em>Cante jondo <\/em>needs cultured and learned aficionados, not crazy fans unable to tell if a <em>cantaor<\/em> is trying their best or not. In the social networks, the fan phenomenon in flamenco is starting to become worrisome. These fans don\u2019t care about what the experts say in a blog or newspaper article. I\u2019m referring to the critics, against whom there is a sort of harassment or belittlement by those fans or by the artists themselves, although I should not generalize. I just prefer the serious aficionados instead of the crazy fans. Maybe I\u2019m just getting old.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Flamenco needs cultured and learned aficionados, not crazy fans unable to tell if a cantaor is trying their best or not. I just prefer the serious aficionados instead of the crazy fans.<\/p>\n","protected":false},"author":6,"featured_media":12523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-12524","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Flamenco needs cultured and learned aficionados, not crazy fans unable to tell if a cantaor is trying their best or not. I just prefer the serious aficionados instead of the crazy fans.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-24T20:14:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-25T23:59:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"799\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Is the Fan Phenomenon back again in cante?\",\"datePublished\":\"2019-05-24T20:14:27+00:00\",\"dateModified\":\"2019-05-25T23:59:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/\"},\"wordCount\":792,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/expoflamenco-fenomeno-fan.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/\",\"name\":\"Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/expoflamenco-fenomeno-fan.jpg\",\"datePublished\":\"2019-05-24T20:14:27+00:00\",\"dateModified\":\"2019-05-25T23:59:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/expoflamenco-fenomeno-fan.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/expoflamenco-fenomeno-fan.jpg\",\"width\":1300,\"height\":799},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/is-the-fan-phenomenon-back-again-in-cante\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Is the Fan Phenomenon back again in cante?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/","og_locale":"en_US","og_type":"article","og_title":"Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco","og_description":"Flamenco needs cultured and learned aficionados, not crazy fans unable to tell if a cantaor is trying their best or not. I just prefer the serious aficionados instead of the crazy fans.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2019-05-24T20:14:27+00:00","article_modified_time":"2019-05-25T23:59:48+00:00","og_image":[{"width":1300,"height":799,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Is the Fan Phenomenon back again in cante?","datePublished":"2019-05-24T20:14:27+00:00","dateModified":"2019-05-25T23:59:48+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/"},"wordCount":792,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg","articleSection":["Bordonazo NEW"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/","name":"Is the Fan Phenomenon back again in cante? - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg","datePublished":"2019-05-24T20:14:27+00:00","dateModified":"2019-05-25T23:59:48+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-fenomeno-fan.jpg","width":1300,"height":799},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/is-the-fan-phenomenon-back-again-in-cante\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Is the Fan Phenomenon back again in cante?"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/12524","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=12524"}],"version-history":[{"count":11,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/12524\/revisions"}],"predecessor-version":[{"id":12535,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/12524\/revisions\/12535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/12523"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=12524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=12524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=12524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}