{"id":12441,"date":"2015-08-17T20:53:54","date_gmt":"2015-08-17T18:53:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=12441"},"modified":"2019-05-22T20:54:45","modified_gmt":"2019-05-22T18:54:45","slug":"do-contests-still-have-a-purpose","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/do-contests-still-have-a-purpose\/","title":{"rendered":"Do contests still have a purpose?"},"content":{"rendered":"<p>So that we don\u2019t get sidetracked, we have to start by saying that contests do not create great artists, they only award prizes for a performance, and the prize goes to whatever the contestant did at the moment of their competition. Contests do not shape the participants. Participants shape themselves, as it has always happened, by listening to records or artists of their time, with whom they have some connection. For example, the <em>Festival del Cante de las Minas <\/em>didn\u2019t make Miguel Poveda a great artist when, at only 20 years old and an absolute unknown, he was given the <em>L\u00e1mpara Minera<\/em>and a lot of other prizes. The Festival discovered him and put him on track, but it was he who made himself a great artist, based on hard work and talent. We could write many other examples, but this one is essential. So, one must say that the role of flamenco contests is not that important, because they are limited to award prizes. At the beginning, contests were valid, because it was not easy for a talented young performer to find the means to get themselves known. However, with all the resources now available to aspiring artists, the contests have almost lost their purpose, in most cases, serving only to create an extensive roll of \u201ccontest professionals\u201d who only perform for the money, which explains the presence of professionals of little success at La Uni\u00f3n and other high-profile contests. If suddenly, we eliminated money prizes, say good-bye to contests. It\u2019s sad to say, but that\u2019s how it is. Contests have evolved little since the distant <em>Concurso de Cante Jondo de Granada<\/em>in 1922, where Falla and Lorca, in agreement with other intellectuals and artists of that time, classified the <em>cantes<\/em>in a biased and unfair way, discarding styles, a model which has been followed by almost all contests since then.\u00a0 For instance, at the Mairena del Alcor contest, a bad <em>seguiriya<\/em>has higher economical value than a good <em>malague\u00f1a<\/em>. The contestant that doesn\u2019t sound like Antonio Mairena can go quietly home, but without a prize. This has created an extensive roll of \u201ccontest professionals\u201d that memorize specific patterns, preventing any chance of creativity or personal enjoyment. Do not dare try anything by Caracol at the Mairena contest, or a Cepero <em>taranta<\/em>in La Uni\u00f3n. It is a clear policy of artistic engineering in <em>cante<\/em>flamenco, to discriminate certain schools or voice types. At the La Uni\u00f3n contest, you may sound like Pencho Cros, but you may not sound like Marchena or Valderrama. You can copy Chac\u00f3n, but not at the Mairena del Alcor contest. We would almost ask that those who can do so, figure out another type of flamenco contest, although if they disappeared altogether it would be much better, considering all of the new channels that exist today which promote young talent. Today, a kid who sings well can tape his own video, upload it on the Internet and the next day he is known by the aficionados around the world.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today, a kid who sings well can tape his own video, upload it on the Internet and the next day he is known by the aficionados around the world.<\/p>\n","protected":false},"author":6,"featured_media":12439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-12441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Do contests still have a purpose? - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/do-contests-still-have-a-purpose\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Do contests still have a purpose? 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