{"id":12381,"date":"2019-05-20T13:19:09","date_gmt":"2019-05-20T11:19:09","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=12381"},"modified":"2019-05-20T19:05:04","modified_gmt":"2019-05-20T17:05:04","slug":"the-ugly-habit-of-whistling-the-artists","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-ugly-habit-of-whistling-the-artists\/","title":{"rendered":"The ugly habit of whistling the artists"},"content":{"rendered":"<p>Flamenco has evolved a lot in the last few decades, and not just the music, that is, <em>cante <\/em>and guitar. Especially in <em>baile<\/em>, which in my opinion is leading the evolution among all aspects of flamenco and showing new ways of expression and aesthetics. However, the topic I want to talk about today \u2014 writing is talking with the reader \u2014 is the evolution of the aficionado (who after all is flamenco\u2019s backbone, supporting it by \u00a0buying tickets, CDs, videos, books, etc.) when listening or watching flamenco.<\/p>\n<p>These nights I\u2019ve been noticing with astonishment and dislike how people going to the various <em>Septiembre es Flamenco <\/em>concerts, the Seville cycle, whistle the artists when they finish their performance, or even between <em>cantes<\/em>, which is worse. It\u2019s not that such thing must be declared a crime, not at all, but whistling after a <em>sole\u00e1 <\/em>is a barbarity never seen in <em>cante<\/em>. With all the flamenco courses offered these days, which are a lot, wouldn\u2019t it be a good idea to offer courses about how to properly enjoy a good flamenco concert? For instance, teaching about the different styles, the <em>palos<\/em>; teaching about the <em>cantes de comp\u00e1s<\/em>, the <em>cantes de levante<\/em>; teaching about the different schools, explaining what is a <em>cante de preparaci\u00f3n<\/em>, or a <em>remate <\/em>or <em>cabal<\/em>, or an \u00a0<em>escobilla <\/em>or a <em>tr\u00e9molo<\/em>. Above all, teaching about how to detect <em>ojana<\/em>: those tricks meant for an easy applause. In summary, teaching how to watch and listen, which is very important.<\/p>\n<p>A <em>sole\u00e1 <\/em>can be moving even if you can\u2019t tell the styles of <strong>La Adonda<\/strong> and <strong>Frijones<\/strong> apart, but if you can, then the experience is much more rewarding. No one goes to school to learn those things. That is why sometimes we see the public cheering on their feet at the end of a bad performance, or an apathetic public during a good performance of a <em>ca\u00f1a <\/em>or a <em>serrana<\/em>, which are not intense styles. Yet, if all of this is important when listening to <em>cante <\/em>or guitar, or when watching <em>baile<\/em>, then the attitude while listening and watching is also important. Screaming or whistling is certainly not acceptable, specially whistling as if in a concert of pop singers like <strong>Bisbal<\/strong> or <strong>Enrique Iglesias<\/strong>. That is something that really annoys the true aficionados, and particularly the artists. <em>Cantaores<\/em>, when wrestling with a <em>sole\u00e1 <\/em>or a <em>malague\u00f1a<\/em>, really appreciate a timely \u201c<em>ol\u00e9<\/em>\u201d: it\u2019s like telling the artist that they\u2019re on the right path, that their performance is reaching their hearts. A good <em>cantaor<\/em> or <em>cantaora<\/em> will always deliver, or would at least do their best, if they know that their public is knowledgeable and sensitive, and demanding.<\/p>\n<p>In flamenco, a complex and hard-to-understand art, it\u2019s easy to fake it, or to &#8220;give <em>ojana&#8221;<\/em>, which is about the same thing. If the public is not knowledgeable, then it\u2019s a fertile ground for those who get up on the stage just to build up their resumes, something that happens way too often. There\u2019s a funny story that fits like a glove to finish this article. The story goes that <strong>El Chato de la Isla<\/strong> was in a party in Madrid and some gentlemen told him they wanted to listen to <em>cante<\/em>. El Chato performed seven or eight <em>palos<\/em>, but since they seemed inattentive, he said: \u201cI\u2019ve sang all I know, that\u2019s my entire repertoire. Do you like <em>caracoles*<\/em>?\u201d he asked (<em>caracoles<\/em> literally meaning &#8220;snails&#8221;) . \u201cNo we don\u2019t like them, but go ahead and have a dish of <em>caracoles <\/em>for yourself\u201d, they replied. These men obviously weren\u2019t flamenco aficionados, and just wanted partying. A good aficionado would very well know that <em>caracoles <\/em>is a flamenco <em>palo<\/em>, from the <em>canti\u00f1as <\/em>group, popularized by <strong>Chac\u00f3n<\/strong> in Madrid.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In flamenco, a complex and hard-to-understand art, it\u2019s easy to fake it, or to &#8220;give ojana&#8221;, which is about the same thing. If the public is not knowledgeable, then it\u2019s a fertile ground for those who get up on the stage just to build up their resumes, something that happens way too often<\/p>\n","protected":false},"author":6,"featured_media":12379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-12381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The ugly habit of whistling the artists - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-ugly-habit-of-whistling-the-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The ugly habit of whistling the artists - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"In flamenco, a complex and hard-to-understand art, it\u2019s easy to fake it, or to &quot;give ojana&quot;, which is about the same thing. If the public is not knowledgeable, then it\u2019s a fertile ground for those who get up on the stage just to build up their resumes, something that happens way too often\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-ugly-habit-of-whistling-the-artists\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-20T11:19:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-20T17:05:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/05\/expoflamenco-tablao.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"The ugly habit of whistling the artists\",\"datePublished\":\"2019-05-20T11:19:09+00:00\",\"dateModified\":\"2019-05-20T17:05:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/\"},\"wordCount\":652,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/expoflamenco-tablao.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/the-ugly-habit-of-whistling-the-artists\\\/\",\"name\":\"The ugly habit of whistling the artists - 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Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. 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