{"id":11841,"date":"2019-04-18T21:05:29","date_gmt":"2019-04-18T19:05:29","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=11841"},"modified":"2019-04-18T23:22:49","modified_gmt":"2019-04-18T21:22:49","slug":"fernando-crespo-capturing-compas","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fernando-crespo-capturing-compas\/","title":{"rendered":"Fernando Crespo, capturing comp\u00e1s"},"content":{"rendered":"<p>For starters, I have to admit that when <strong>Fernando Crespo<\/strong>\u00a0called me asking me to write the prologue for his book about flamenco photography, <em><strong>Manos y palmas por buler\u00edas<\/strong><\/em>, since I was in the midst of moving houses are very burned out, I almost wished he changed his mind and asked someone else, despite the fact that I\u2019ve always admired him as a photographer and great professional of photojournalism. He has photographed lots of famous flamenco artists and I\u2019ve seen photos by him that have filled me with envy, and not in a good way.<\/p>\n<p>I really envy Fernando\u2019s technique and vision, because I also take flamenco photographs and I must have thousand of black and white negatives from the time I covered the summer festivals for <em>El Correo<\/em> newspaper and no photographer would come along. Thus, I have reasons to admire this man and envy him insanely, perhaps because in fact I\u2019m a frustrated photographer, just like I\u2019m also a frustrated <em>cantaor<\/em> who became a flamenco critic out of a bit of revenge. I cannot be like you guys, geniuses of <em>cante<\/em>, so I just criticize you and that\u2019s about it. So here I am, a bully full of complexes.<\/p>\n<p>After taking a closer look at all the photographs of this beautiful and original flamenco book, I must highlight the fact that I know none of the subjects in any of the black and white images, who are mostly women trying to learn to dance <em>por buler\u00edas<\/em>, the most difficult <em>palo<\/em> in <em>cante jondo<\/em>, because trying to dance <em>buler\u00edas<\/em> without a good sense of rhythm it\u2019s like trying to play <em>tennis<\/em> without arms. That\u2019s where I stopped and got really interested in this innovative work, whose author plays with <em>comp\u00e1s<\/em> as the best specialized <em>cantaor<\/em> and dares to stop it, to freeze it, without ever messing up the image. These are seemingly easy, simple photographs, but that\u2019s not the case. It\u2019s not a matter of freezing an image, but of knowing when to freeze the <em>comp\u00e1s<\/em> while also capturing the expression of the one singing or dancing before it\u2019s no longer interesting and avoiding the metric to come out as cold and mathematical.<\/p>\n<p>If each one of these photographs, all eighty of them, could be put in motion with some mechanical device, we could feel we\u2019re inside a practice room feeling the comp\u00e1s, <em>that un, dos, tres, cuatro cinco, seis, siete, ocho, nueve, diez\u2026, un, dos<\/em>\u2026, where we could fit a whole theory about the <em>fiesta flamenca<\/em>. Gestures, looks, poses which seems as if they had their own music, or invite the readers to create their own. Flamenco is very photogenic, and sometimes we may accidentally press the shutter button and create an unexpected masterpiece, although blurry. Yet, Fernando has created this wonderful photographic work like a movie director who carefully choses locations, backgrounds and lightning before starting to film his masterpiece.<\/p>\n<p>Looking at this book in its entirety, from the first to the last image, we end up understanding that sometimes duende is not in the artist, but in the spectator who knows how to feel it. Fernando has been able to see what can only be felt.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-11833\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias.jpg\" alt=\"\" width=\"1300\" height=\"1625\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias.jpg 1300w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias-600x750.jpg 600w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias-240x300.jpg 240w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias-768x960.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo-manos-palmas-por-bulerias-819x1024.jpg 819w\" sizes=\"auto, (max-width: 1300px) 100vw, 1300px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>He has created this wonderful photographic work, &#8216;Manos y palmas por buler\u00edas&#8217;, like a movie director who carefully choses locations, backgrounds and lightning before starting to film his masterpiece. He has been able to see what can only be felt.<\/p>\n","protected":false},"author":6,"featured_media":11836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-11841","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fernando Crespo, capturing comp\u00e1s - Archivo Expoflamenco<\/title>\n<meta name=\"description\" content=\"For starters, I have to admit that when Fernando Crespo called me asking me to write the prologue for his book about flamenco photography, Manos y palmas por buler\u00edas, since I was in the midst of moving houses are very burned out, I almost wished he changed his mind and asked someone else, despite the fact that I\u2019ve always admired him as a photographer and great professional of photojournalism. He has photographed lots of famous flamenco artists and I\u2019ve seen photos by him that have filled me with envy, and not in a good way.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fernando-crespo-capturing-compas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fernando Crespo, capturing comp\u00e1s - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"For starters, I have to admit that when Fernando Crespo called me asking me to write the prologue for his book about flamenco photography, Manos y palmas por buler\u00edas, since I was in the midst of moving houses are very burned out, I almost wished he changed his mind and asked someone else, despite the fact that I\u2019ve always admired him as a photographer and great professional of photojournalism. He has photographed lots of famous flamenco artists and I\u2019ve seen photos by him that have filled me with envy, and not in a good way.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/fernando-crespo-capturing-compas\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-18T19:05:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-18T21:22:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/fj-crespo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Fernando Crespo, capturing comp\u00e1s\",\"datePublished\":\"2019-04-18T19:05:29+00:00\",\"dateModified\":\"2019-04-18T21:22:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/\"},\"wordCount\":555,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/fj-crespo.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/\",\"name\":\"Fernando Crespo, capturing comp\u00e1s - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/fernando-crespo-capturing-compas\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/fj-crespo.jpg\",\"datePublished\":\"2019-04-18T19:05:29+00:00\",\"dateModified\":\"2019-04-18T21:22:49+00:00\",\"description\":\"For starters, I have to admit that when Fernando Crespo called me asking me to write the prologue for his book about flamenco photography, Manos y palmas por buler\u00edas, since I was in the midst of moving houses are very burned out, I almost wished he changed his mind and asked someone else, despite the fact that I\u2019ve always admired him as a photographer and great professional of photojournalism. 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Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fernando Crespo, capturing comp\u00e1s - Archivo Expoflamenco","description":"For starters, I have to admit that when Fernando Crespo called me asking me to write the prologue for his book about flamenco photography, Manos y palmas por buler\u00edas, since I was in the midst of moving houses are very burned out, I almost wished he changed his mind and asked someone else, despite the fact that I\u2019ve always admired him as a photographer and great professional of photojournalism. 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