{"id":11293,"date":"2019-04-01T20:27:24","date_gmt":"2019-04-01T18:27:24","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=11293"},"modified":"2019-04-01T20:32:30","modified_gmt":"2019-04-01T18:32:30","slug":"lots-of-garbage-and-ignorance","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/","title":{"rendered":"Lots of garbage and ignorance"},"content":{"rendered":"<p>Although it may seem as if we know it all, the truth is that we barely know anything about flamenco, regarding its origins and most of its first performers. And if those of us who have spent almost our whole lives researching flamenco barely know anything, you can only imagine how knowledgeable are those who write about this art because it has become fashionable and these days everyone has a virtual platform to speak up. It\u2019s not surprising, then, that people get tricked and bad performers, male and female, become successful and are acclaimed as great artists. Yet, one thing is to be an artist, having a great personality and being at ease on stage, and quite another is to be a good <em>cantaor<\/em> or <em>cantaora<\/em>. Is that not clear yet, after more than two centuries of this art being in the public scene?<\/p>\n<p>I\u2019m dumbfounded when I see the glowing reviews given to <strong>Roc\u00edo M\u00e1rquez<\/strong>\u00a0\u2014 I mention her because she\u2019s quite in vogue lately, with the release of her latest album <em>Visto en el Jueves\u00ad <\/em>\u2014 while in my opinion she\u2019s not even a good <em>cantaora<\/em>, but rather one of the blandest in our days. That has nothing to do with the fact that her albums sell well and that she has a pretty voice, although not good enough for flamenco. Technically, she leaves a lot to be desired and she doesn\u2019t convey any emotion in the deepest <em>palos<\/em>, at least to me.\u00a0 I understand it\u2019s a matter of personal tastes, but what\u2019s objective and obvious should be above and beyond personal tastes. Why is then that <em>cantaores <\/em>like her, and she herself, are so overrated, while those who really know how to sing and have authentic flamenco depth are so underrated? Because there is so much ignorance about <em>cante<\/em> and because nowadays anybody who has a blog or write in the social networks acts as if they were subject-matter experts. Not to mention those who sell themselves to the artists, and I don\u2019t mean getting their money.<\/p>\n<blockquote><p><em>If we don\u2019t speak clearly once and for all, this won\u2019t end well <\/em><\/p><\/blockquote>\n<p>Moreover, straight talking it\u2019s not easy these days, because we end up blasted in the social networks, and that happens to me every day. The last thing that happened to me was being insulted and offended by an artist in her <strong>Facebook<\/strong> wall, with some of my colleagues liking the post and even praising it publicly. I know that some people resent me for daring to speak up my mind for forty years as flamenco critic, but I didn\u2019t expect so much garbage and bad blood.<\/p>\n<p>Considering this desolate landscape, I don\u2019t know what to do anymore, whether speaking up once and for all, no matter what, or turning a blind eye like most people do, because people have to live off something, even off lies. Frankly, it\u2019s hard for me, but I can assure you that I won\u2019t shut up. Everyone else can do as they please and deal with their own conscience whether they want to keep supporting so much garbage like there is today in flamenco in general.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One thing is to be an artist, having a great personality and being at ease on stage, and quite another is to be a good cantaor or cantaora. Is that not clear yet, after more than two centuries of this art being in the public scene?<\/p>\n","protected":false},"author":6,"featured_media":11289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[194],"class_list":["post-11293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new","tag-cantaor-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lots of garbage and ignorance - Archivo Expoflamenco<\/title>\n<meta name=\"description\" content=\"Although it may seem as if we know it all, the truth is that we barely know anything about flamenco, regarding its origins and most of its first performers. And if those of us who have spent almost our whole lives researching flamenco barely know anything, you can only imagine how knowledgeable are those who write about this art because it has become fashionable and these days everyone has a virtual platform to speak up. It\u2019s not surprising, then, that people get tricked and bad performers, male and female, become successful and are acclaimed as great artists. Yet, one thing is to be an artist, having a great personality and being at ease on stage, and quite another is to be a good cantaor or cantaora. Is that not clear yet, after more than two centuries of this art being in the public scene?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lots of garbage and ignorance - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Although it may seem as if we know it all, the truth is that we barely know anything about flamenco, regarding its origins and most of its first performers. And if those of us who have spent almost our whole lives researching flamenco barely know anything, you can only imagine how knowledgeable are those who write about this art because it has become fashionable and these days everyone has a virtual platform to speak up. It\u2019s not surprising, then, that people get tricked and bad performers, male and female, become successful and are acclaimed as great artists. Yet, one thing is to be an artist, having a great personality and being at ease on stage, and quite another is to be a good cantaor or cantaora. Is that not clear yet, after more than two centuries of this art being in the public scene?\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-01T18:27:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-01T18:32:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/zapatos-baile.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Lots of garbage and ignorance\",\"datePublished\":\"2019-04-01T18:27:24+00:00\",\"dateModified\":\"2019-04-01T18:32:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/\"},\"wordCount\":550,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/zapatos-baile.jpg\",\"keywords\":[\"cantaor\"],\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/\",\"name\":\"Lots of garbage and ignorance - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/lots-of-garbage-and-ignorance\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/zapatos-baile.jpg\",\"datePublished\":\"2019-04-01T18:27:24+00:00\",\"dateModified\":\"2019-04-01T18:32:30+00:00\",\"description\":\"Although it may seem as if we know it all, the truth is that we barely know anything about flamenco, regarding its origins and most of its first performers. 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Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lots of garbage and ignorance - Archivo Expoflamenco","description":"Although it may seem as if we know it all, the truth is that we barely know anything about flamenco, regarding its origins and most of its first performers. 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Is that not clear yet, after more than two centuries of this art being in the public scene?","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/zapatos-baile.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/04\/zapatos-baile.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/lots-of-garbage-and-ignorance\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Lots of garbage and ignorance"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. 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Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/11293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=11293"}],"version-history":[{"count":3,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/11293\/revisions"}],"predecessor-version":[{"id":11296,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/11293\/revisions\/11296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/11289"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=11293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=11293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=11293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}