{"id":11062,"date":"2019-03-27T14:17:47","date_gmt":"2019-03-27T13:17:47","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=11062"},"modified":"2019-03-29T01:57:05","modified_gmt":"2019-03-29T00:57:05","slug":"pepe-segundo-a-promise-unfulfilled","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/pepe-segundo-a-promise-unfulfilled\/","title":{"rendered":"Pepe Segundo, a promise unfulfilled"},"content":{"rendered":"

From the lingering postwar doldrums of dusty, downtrodden Triana in the 1960s, to the glitz and wealth of the United States.\u00a0 A fine flamenco singer with the unlikely name of Jos\u00e9 Mu\u00f1agorri Fuentes arrived one day with the great dancer Roberto Iglesias\u00a0<\/strong>and guitarist Felix de Utrera<\/strong>.\u00a0 Despite his youth, Pepe Segundo<\/strong>, or Pepe Fuentes\u00a0<\/strong>as he was sometimes billed, had already sung in the legendary Ballet Espa\u00f1ol de Antonio\u00a0<\/strong>alongside two giants: singer Antonio Mairena\u00a0<\/strong>and guitarist Manuel Morao<\/strong>.\u00a0 Mairena is said to have considered Pepe Segundo one of the best flamenco singers of the younger generation.<\/p>\n

April 5th<\/sup>, marks the 50th\u00a0<\/sup>anniversary since Pepe Segundo succumbed to cancer.\u00a0 He was 32.<\/p>\n

Few people recall Pepe in the U.S., but in Triana, veteran flamencos remember him well as \u201cEl Ni\u00f1o Segundo\u201d, whose name appears on posters as \u201cthe youngest interpreter of deep flamenco song\u201d, <\/em>and have only admiration for the singer who left the renowned flamenco neighborhood to find an outlet for his talent.\u00a0 He was the cousin of Carri\u00f3n de Mairena\u00a0<\/strong>(father of Antonio Carri\u00f3n<\/strong>), and other relatives of his continue to live in Triana.<\/p>\n

Pepe settled in Los Angeles where he worked for some years at the legendary nightclub El Cid. Pepe\u2019s wife, Mar\u00eda del Roc\u00edo\u00a0<\/strong>was a dancer. The baptism celebration of Mar\u00eda and Pepe\u2019s baby son Jos\u00e9 was attended by all the flamenco artists in Los Angeles, and went on for many hours.\u00a0 Juan Talavera, dancer and co-founder of El Cid proudly recalls how Pepe always praised his ability to dance properly with the singing.<\/p>\n

Mairena is said to have considered Pepe Segundo one of the best flamenco singers of the younger generation.<\/em><\/p><\/blockquote>\n

During a brief time in New York we crossed paths at the ramshackle Alexander\u2019s studio, the New York equivalent of Madrid\u2019s original Amor de Dios, and worked in Washington, D.C. with the Mar\u00eda Alba\u00a0<\/strong>Spanish Dance Company.\u00a0 I was too young to fully appreciate what a fine singer he was, but followed his orders when he told me not to sing the Vallejo verse, Huelen las negritas a queso\u2026. <\/em>Only recently did I discover that before leaving Spain, Pepe had been friends with the legendary singer, holder of the Llave de Oro for flamenco song, 1926.\u00a0 On another occasion we were to work one month at a theater in Caracas with Ballet Granada<\/strong>, but a disastrous earthquake in 1967 left the venue in ruins and the contract was cancelled. \u00a0Pepe fell ill shortly afterwards, and the last time I saw him was in the audience of a New York performance of the company of Antonio, with Chano Lobato\u00a0<\/strong>singing.\u00a0 Pepe was performing nearly until the end of his life, and rumors circulated that he had overcome the terrible illness.\u00a0 His death at 32 shocked and saddened the entire flamenco community.<\/p>\n

In Triana, old-timers still speak of Casa Segundo, the tavern Pepe\u2019s father, Segundo Mu\u00f1agorri Lama opened on the ground floor of the family\u2019s house on Alfarer\u00eda street, number 85, where Pepe was born.\u00a0 Segundo was a great flamenco follower who welcomed the visits of legendary Triana singers such as Emilio Abad\u00eda, Oliver de Triana, Domingo el Alfarero, Manolito el Pintor, El Teoro <\/strong>and\u00a0Antonio and Joaqu\u00edn Ballesteros\u00a0<\/strong>among others.\u00a0 From early on, while preparing tapas and washing glasses, young Pepe was hearing the best flamenco of Triana.\u00a0 When I met him, he knew Triana cante well, and his singing showed the clear influence of Antonio Mairena for whom he professed great admiration.<\/p>\n

In the booklet that accompanies the recordings Triana Cantaora, Entre el Barro y la Fragua<\/em>, flamenco expert Manuel Cerrej\u00f3n\u00a0<\/strong>writes that \u201cEl Ni\u00f1o Segundo sang at Seville\u2019s Teatro Cervantes in 1954 along with Paquera de Jerez<\/strong>. [\u2026] He represents the highest peak of Triana flamenco singers\u201d.<\/p>\n

Pepe left a handful of records including collaborations on guitar recordings:\u00a0Antonio and his Ballets de Madrid, Fiesta Flamenca, The Flamenco Guitar of Juan Serrano, Cante Hondo, Day of the Bullfight with the maestro Sabicas, <\/em>and Cantes of Pepe Segundo <\/em>with albore\u00e1s, jaberas, tarantos\u00a0<\/em>and a beautiful nana\u00a0<\/em>dedicated to his infant son Joselito, whom he would never see grow up.<\/p>\n

 <\/p>\n

\"Pepe

Pepe Segundo y Margarita Cordova. Foto: Juan Talavera<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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