{"id":10715,"date":"2019-03-19T12:56:03","date_gmt":"2019-03-19T11:56:03","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=10715"},"modified":"2019-03-29T02:09:23","modified_gmt":"2019-03-29T01:09:23","slug":"diego-de-moron-tribute-to-a-naif-guitarist","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/diego-de-moron-tribute-to-a-naif-guitarist\/","title":{"rendered":"Diego de Mor\u00f3n, tribute to a naif guitarist"},"content":{"rendered":"<p>Once upon a time there was a school of flamenco guitar-playing that fans of the genre the world over recognized as the style of Mor\u00f3n de la Frontera and Diego del Gastor.\u00a0 Possibly Jerez de la Frontera and Granada are the only other cities with easily-identifiable guitar sounds all their own.\u00a0 And of these three, Mor\u00f3n surely wins first place in the personality contest: few flamenco fans would be unable to identify that peculiar twang that geolocates the music faster than Google.<\/p>\n<p>I actually didn\u2019t know if the word \u201cna\u00eff\u201d used in the title of this article could only be used to describe visual arts, or might also be applied to music.\u00a0 According to my desktop dictionary, <em>na\u00eff <\/em>is\u00a0<em>an artistic style that represents reality by reflecting the ingenuousness of a child\u2019s sensitivity, and is characterized by great simplicity of form and the rejection of academic technique.\u00a0 <\/em>Bingo!\u00a0 It works for me.<\/p>\n<p>Diego Torres Amaya, \u201cDiego de Mor\u00f3n\u201d, naif guitarist, son of Joselero de Mor\u00f3n and nephew of Diego del Gastor.\u00a0 In the 1960s and 70s, we called him \u201cDieguito\u201d.\u00a0 Aside from his being a young adolescent, it was to distinguish him from his uncle, Diego del Gastor.\u00a0 The \u201cgastore\u00f1o\u201d nephews, in addition to Dieguito, are Juan and Agust\u00edn, effervescent and authentic, more flamenco than anyone, and the very brilliant Paco del Gastor, guitarists all.<\/p>\n<p>Dieguito, Diego de Mor\u00f3n was always different from the rest. \u00a0Fighting with his guitar to drag out the notes kicking and screaming, fingers getting caught in the strings, the aggressive thumping on the instrument, broken fingernails, legs kicking out sideways\u2026\u00a0 Then, suddenly, a sweet caressing sound. \u00a0It\u2019s like having a bipolar lover.\u00a0 And always the unmistakable attack, the anachronistic, marginal, unpredictable, irregular but honest sound. Music that\u2019s immune to evolution.\u00a0 When Diego clicks into the groove, he\u2019s the best guitarist in the world.<\/p>\n<p>Memories taunt and tantalize.\u00a0 Were they dreams or did all that actually happen nearly 50 years ago when there was only one television set in town?\u00a0 Going up the hill to Casa Pepe (to watch the one television set and have a tapa of spinach with chickpeas) in search of flamenco friends, or the Bar Alem\u00e1n, the Pasaje, Bar Barea, the Miguelito\u2026you could often find Diego de Mor\u00f3n at the Miguelito, or living at the Fonda Pascual.\u00a0 Lanky and thin even now, just quirky enough to be a card-carrying flamenco, with his homespun science and philosophy.<\/p>\n<p>Of all the relatives of Diego del Gastor, Diego de Mor\u00f3n is the most faithful to the school (when I lived in Mor\u00f3n, strangers would occasionally come to my door asking for directions to the \u201cschool\u201d, which of course did not exist in any physical sense), the one who best captures that peculiar sound that isn\u2019t like guitar-playing from anywhere else.\u00a0 A second generation of Mor\u00f3n followers who were too young to have known the elder Diego, have adopted Diego de Mor\u00f3n as their rallying point and figurehead.<\/p>\n<p>On Friday, April 5th, in Alcal\u00e1 de Guadaira, at the Teatro Guti\u00e9rrez de Alba at 9:30 pm, Diego de Mor\u00f3n will be the object of a tribute to commemorate his 50 years of profession.\u00a0 A great number of artists will participate, including Juana Amaya, Pepe Torres, David el Galli, Paco Amparo, Javier Heredia, Luis Pe\u00f1a, Juan del Gastor, El Torombo and many many others.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_10716\" style=\"width: 810px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-10716\" class=\"size-full wp-image-10716\" src=\"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz.jpg\" alt=\"Diego de Mor\u00f3n. Foto: Gilortiz\" width=\"800\" height=\"1300\" srcset=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz.jpg 800w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz-600x975.jpg 600w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz-185x300.jpg 185w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz-768x1248.jpg 768w, https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-mor\u00f3n-foto-gilortiz-630x1024.jpg 630w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><p id=\"caption-attachment-10716\" class=\"wp-caption-text\">Diego de Mor\u00f3n. Foto: Gilortiz<\/p><\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The aggressive thumping on the instrument, broken fingernails, legs kicking out sideways\u2026  Then, suddenly, a sweet caressing sound.  It\u2019s like having a bipolar lover.<\/p>\n","protected":false},"author":9,"featured_media":10713,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[68],"tags":[],"class_list":["post-10715","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estela-flamenca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Diego de Mor\u00f3n, tribute to a naif guitarist - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/diego-de-moron-tribute-to-a-naif-guitarist\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Diego de Mor\u00f3n, tribute to a naif guitarist - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"The aggressive thumping on the instrument, broken fingernails, legs kicking out sideways\u2026 Then, suddenly, a sweet caressing sound. It\u2019s like having a bipolar lover.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/diego-de-moron-tribute-to-a-naif-guitarist\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-19T11:56:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-29T01:09:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/diego-de-moron-foto-takase-tomoyuki.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Estela Zatania\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Estela Zatania\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/\"},\"author\":{\"name\":\"Estela Zatania\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/b2b4ceb47802c5e3c98b75966c5ab4e1\"},\"headline\":\"Diego de Mor\u00f3n, tribute to a naif guitarist\",\"datePublished\":\"2019-03-19T11:56:03+00:00\",\"dateModified\":\"2019-03-29T01:09:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/\"},\"wordCount\":602,\"commentCount\":4,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/diego-de-moron-foto-takase-tomoyuki.jpg\",\"articleSection\":[\"Estela Flamenca\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/estela-flamenca\\\/diego-de-moron-tribute-to-a-naif-guitarist\\\/\",\"name\":\"Diego de Mor\u00f3n, tribute to a naif guitarist - 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