{"id":10282,"date":"2019-03-14T19:27:58","date_gmt":"2019-03-14T18:27:58","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=10282"},"modified":"2019-03-14T19:29:46","modified_gmt":"2019-03-14T18:29:46","slug":"what-have-men-contributed-to-flamenco","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/","title":{"rendered":"What have men contributed to flamenco?"},"content":{"rendered":"<p>The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. Flamenco has never been a male-dominated genre, no matter how much the annoying and ill-informed <em>feminijondas<\/em> (flamenco feminists) wants us to believe otherwise. For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.<\/p>\n<p>Do you know how many second-rate flamencologists, male and female, are earning money with this deal? The other day a friend from a public institution in Andalusia told me about all the proposals they\u2019re getting for lectures or shows about the role of women in flamenco, because people know there\u2019s a lot of money available for that. There isn\u2019t any money to put up a small memorial plaque in the birthplace of <strong>Silverio Franconetti<\/strong>, the greatest of all <em>cantaores<\/em> who, among other things, dignified women in this art, but there is plenty of funding to highlight the role of women in <em>cante<\/em> and <em>baile<\/em>.<\/p>\n<p>A statue was erected in Seville honoring <strong>Pastora Imperio<\/strong>, but there is nothing to remember <strong>F\u00e9lix Moreno, Miguel<\/strong>\u00a0and\u00a0<strong>Manuel de la Barrera<\/strong>\u00a0or <strong>Maestro Otero<\/strong>, who contributed much more to <em>baile <\/em>in Seville than Imperio, who incidentally wasn\u2019t even the best <em>bailaora<\/em> of Seville. Not at all, let\u2019s be clear once and for all. If that daughter of <strong>La Mejorana<\/strong>\u00a0got a monument, what greater memorials should be bestowed upon <strong>Manuela Perea\u00a0<em>La Nena<\/em><\/strong><em>\u00a0<\/em>or\u00a0<strong>Petra C\u00e1mara<\/strong>, who took the <em>baile<\/em> of Seville all over the world in the mid 1800s but have nothing honoring them, as women and artists, and the great work they did.<\/p>\n<p>More than once I\u2019ve stated that we\u2019re witnessing a veritable revolution in the role of women in flamenco, on account of the great number of young <em>cantaoras<\/em> and <em>bailaoras<\/em>, and even guitar players, that have come out. Yet, it\u2019s not just the artistic aspect, but also the intellectual, as there are women writing, researching and organizing flamenco events, as well as directing festivals or specialized flamenco magazines and radio shows. \u201cThey\u2019re finally competing with men\u201d, said one flamencologist a few days ago, who seemed to have just discovered that there were women active in flamenco.<\/p>\n<p>Always, from the early days of flamenco, <em>cantaoras <\/em>competed with <em>cantaores<\/em>. <strong>Mar\u00eda Borrico<\/strong>\u00a0and\u00a0<strong>La Parrala<\/strong>\u00a0with\u00a0<strong>Silverio<\/strong>\u00a0and\u00a0<strong>Paco el Sevillano<\/strong>,\u00a0<strong>La Trini<\/strong>\u00a0with <strong>Juan Breva<\/strong>,\u00a0<strong>La Rubia<\/strong>\u00a0with\u00a0<strong>El Canario<\/strong>,\u00a0<strong>Pastora Pav\u00f3n<\/strong>\u00a0with\u00a0<strong>Manuel Torres <\/strong>and\u00a0<strong>Pepe Marchena<\/strong>\u00a0with\u00a0<strong>La Ni\u00f1a de la Puebla<\/strong>, even as they were from the same school. Why is there so much ignorance? Besides, it cannot be stated that men are finally giving a space to women in flamenco, because that\u2019s not the case. It\u2019s not a matter of giving women a space that they\u2019ve always had because, I repeat, flamenco has never been a male-dominated genre. If men were prominent in certain periods of flamenco history, that doesn\u2019t mean that flamenco is a male-only genre. Also, it\u2019s not true that most stars in flamenco have been men, because we can pull out the names and see that this is not the case.<\/p>\n<p>This is getting out of hand, frankly, because a handful of <em>feminijondas <\/em>want to rule the roost and end what they claim to be the boot of men oppressing women in flamenco. I won\u2019t give out names because I don\u2019t want to add more fuel to the fire, but I will, if this keeps going, no matter what. Maybe we\u2019ll also have to create events to remind them how important has the role of men in flamenco been.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is getting out of hand, frankly, because a handful of flamenco feminists want to rule the roost and end what they claim to be the boot of men oppressing women in flamenco<\/p>\n","protected":false},"author":6,"featured_media":10273,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[256],"tags":[],"class_list":["post-10282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bordonazo-new"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What have men contributed to flamenco? - Archivo Expoflamenco<\/title>\n<meta name=\"description\" content=\"The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. Flamenco has never been a male-dominated genre, no matter how much the annoying and ill-informed feminijondas (flamenco feminists) wants us to believe otherwise. For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What have men contributed to flamenco? - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. Flamenco has never been a male-dominated genre, no matter how much the annoying and ill-informed feminijondas (flamenco feminists) wants us to believe otherwise. For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-14T18:27:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-14T18:29:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"What have men contributed to flamenco?\",\"datePublished\":\"2019-03-14T18:27:58+00:00\",\"dateModified\":\"2019-03-14T18:29:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/\"},\"wordCount\":675,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/flamencos-hombre-mujer.jpg\",\"articleSection\":[\"Bordonazo NEW\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/\",\"name\":\"What have men contributed to flamenco? - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/bordonazo-new\\\/what-have-men-contributed-to-flamenco\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/flamencos-hombre-mujer.jpg\",\"datePublished\":\"2019-03-14T18:27:58+00:00\",\"dateModified\":\"2019-03-14T18:29:46+00:00\",\"description\":\"The title of this article, phrased like a question, is nonsense. 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Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"What have men contributed to flamenco? - Archivo Expoflamenco","description":"The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. Flamenco has never been a male-dominated genre, no matter how much the annoying and ill-informed feminijondas (flamenco feminists) wants us to believe otherwise. For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/","og_locale":"en_US","og_type":"article","og_title":"What have men contributed to flamenco? - Archivo Expoflamenco","og_description":"The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. 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For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2019-03-14T18:27:58+00:00","article_modified_time":"2019-03-14T18:29:46+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"What have men contributed to flamenco?","datePublished":"2019-03-14T18:27:58+00:00","dateModified":"2019-03-14T18:29:46+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/"},"wordCount":675,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg","articleSection":["Bordonazo NEW"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/","name":"What have men contributed to flamenco? - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg","datePublished":"2019-03-14T18:27:58+00:00","dateModified":"2019-03-14T18:29:46+00:00","description":"The title of this article, phrased like a question, is nonsense. Just like if we had replaced the word \u201cmen\u201d with \u201cwomen\u201d. Flamenco has never been a male-dominated genre, no matter how much the annoying and ill-informed feminijondas (flamenco feminists) wants us to believe otherwise. For as long as this art form has existed, men and women have shared together in parties and stages, so I really don\u2019t get this obsession with vindicating the role of women in flamenco while nothing is said about men, when both genders have been essential for the creation of flamenco and its promotion and preservation, up to our days.","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/flamencos-hombre-mujer.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/what-have-men-contributed-to-flamenco\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"What have men contributed to flamenco?"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=10282"}],"version-history":[{"count":3,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10282\/revisions"}],"predecessor-version":[{"id":10285,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10282\/revisions\/10285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/10273"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=10282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=10282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=10282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}