{"id":10196,"date":"2016-01-27T14:04:07","date_gmt":"2016-01-27T13:04:07","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?p=10196"},"modified":"2019-03-13T14:05:06","modified_gmt":"2019-03-13T13:05:06","slug":"sevilla-forgot-about-pepe-pinto","status":"publish","type":"post","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/","title":{"rendered":"Sevilla forgot about Pepe Pinto"},"content":{"rendered":"<p>Seville is one of the cradles of <i>cante flamenco<\/i> (it\u2019s not \u201cthe\u201d cradle, because we also have C\u00e1diz and Jerez), it\u2019s the city where artists such as <a href=\"http:\/\/www.expoflamenco.net\/#!Silverio-y-la-desmemoriada-Sevilla\/c112t\/5626e3090cf2c6c64380ea3b\">Silverio<\/a>, Jos\u00e9 Lorente, <a href=\"http:\/\/www.expoflamenco.net\/#!Cuarenta-y-seis-a%C3%B1os-sin-Pastora\/c112t\/565548780cf2a1cf6d1811d5\">Ni\u00f1a de los Peines<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!Manolo-Caracol\/c112t\/5670b1be0cf274f69813e76e\">Manolo Caracol<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!El-abuelo-recuerda-a-Tom%C3%A1s-Pav%C3%B3n\/c112t\/56ef66b60cf276e9de24fb4d\">Tom\u00e1s Pav\u00f3n<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!Cincuenta-y-seis-a%C3%B1os-sin-Vallejo\/c112t\/57a7f29a0cf2fdb0f74c5fa8\">Manuel Vallejo<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!Aquel-jilguero-de-Marchena\/c112t\/5661105c0cf25333685e0a03\">Ni\u00f1o de Marchena<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!Recordando-a-El-Carbonerillo\/c112t\/56b81aa40cf2dc1600e907a6\">El Carbonerillo<\/a>, <a href=\"http:\/\/www.expoflamenco.net\/#!Hablando-de-cante-con-Mairena\/c112t\/5760d1d50cf29542aa289730\">Antonio Mairena<\/a>, Manuel Centeno, <a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/11\/29\/Bernardo-el-de-los-Lobitos\">Bernardo el de los Lobitos<\/a> and <a href=\"http:\/\/www.expoflamenco.net\/#!Fernanda-de-Utrera\/c112t\/55f752d80cf20cc524a8f191\">Fernanda de Utrera<\/a> (among others) were born or shaped their careers.<\/p>\n<p>One of Seville\u2019s greatest artists was Jos\u00e9 Torres Garz\u00f3n, <i>Pepe Pinto<\/i>, son of Carmen Garz\u00f3n Pinto, <i>La Pinta<\/i>, who is said to have excelled in <i>saetas sevillanas<\/i>. El Pinto was born on the 22nd of July of 1903, on Torrijiano street in the Macarena neighborhood. His birth certificate states #6 Monederos Street, which is parallel to Torrijiano, in the same neighborhood, but his sister Teresa assured me that he was indeed born on Torrijiano, where the oldest <i>pe\u00f1a flamenca<\/i> of Seville (Torres Macarena) has been located for several decades.<\/p>\n<p>In this popular street also grew up another <i>cantaor<\/i> from Macarena, Jos\u00e9 Rodr\u00edguez <i>El Colorao<\/i>, and it was here too where the great <i>Ni\u00f1o de Fregenal<\/i> lived and died. La Macarena was a suburb of Seville, a handful of houses outside of the already extinct city walls, and in those few houses a new style of singing developed, not doubt with influence from Barrio de la Feria and Alameda de Hercules, which, together with Triana, are the most <i>flamenco<\/i> neighborhoods in Seville.<\/p>\n<p>Pepe Pinto grew up in Macarena and he was what we would call a child prodigy of <i>cante<\/i>. He and El Carbonerillo (who despite being born in Sol Street in the San Juli\u00e1n neighborhood, was a <i>macarenero<\/i> all his life) would perform together and revolutionized fandangos when they were still very young. However, at first El Pinto didn\u2019t have a great artistic vocation and soon got bored, trying out other occupations and becoming, while still a teenager, a skilled croupier, sought after by the best casinos in Spain.<\/p>\n<p>It was only after gambling was banned in Spain when Pepe Pinto decided to record music, in 1929, when he was known as Pepito Torres <i>El Pinto<\/i>. It was then when he became the first star of <i>cante<\/i>, no easy feat because in those days there were many other great <i>cantaores<\/i>, such as (among others), Caracol, Vallejo, <a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/10\/20\/Jos%C3%A9-Cepero\">Cepero<\/a>, Marchena and Ni\u00f1a de los Peines, for whom he was in love since an early age, and not just because of her singing. He first met her in Arahal (Seville Province), when he was croupier in the town\u2019s casino, but they only married in 1933.<\/p>\n<p>His marriage to Pastora Pav\u00f3n was essential in changing his style of singing, taking him from being a brilliant <i>fandanguero<\/i>, with a refined style, to a <i>cantaor<\/i> skilled in other <i>palos<\/i> of flamenco. His great friendship with his brothers-in-law <a href=\"https:\/\/www.expoflamenco.com\/archivo\/blog-archivo\/arturo-pavon-un-cantaor-de-armas-tomar\">Arturo<\/a> and Tom\u00e1s Pav\u00f3n was crucial to make him discover the magical world of <i>cante jondo<\/i>in greater depth. The <i>cantaor<\/i> <a href=\"http:\/\/www.expoflamenco.net\/single-post\/2016\/03\/01\/%C2%BFSe-acuerdan-de-Antonio-El-Sevillano\">Antonio el Sevillano<\/a> once told me that Pinto didn\u2019t quite learn how to sing until he became part of that family of <i>cantaores<\/i> from Seville, \u201cbecause that\u2019s when he learnt how to breath\u201d.<\/p>\n<p>Yet, don Jos\u00e9 Torres, who was madly in love with Pastora, focused everything on her, his wife, producing her shows, to the point where he neglected his own artistic career. When the Spanish Civil War started in 1936, both sought refuge in Madrid, where they had a hard time. Only when the war ended he decided to become an important entrepreneur and earn a lot of money to, among other things, allow Pastora to retire from the stage, something they had been planning for a long time.<\/p>\n<p>In 1949, they spend all their savings to create a production for Pastora, <i>Espa\u00f1a y su cantaora<\/i>, which was a financial failure and her final farewell to the stages, as she was tired of travelling constantly and felt disappointed about the changes in <i>cante<\/i>. When Pastora retired, Pinto focused more on himself and he produced many shows of great success, giving an opportunity for many young artists to perform.<\/p>\n<p>He died in the evening of October 5th, 1969, and fifty days later his beloved wife would die too. Strangely, Seville forgot Pepe Pinto, one of its greatest <i>cantaores<\/i> and artists. There is nothing in his memory in the capital of Andalusia. He left a great discography and unforgettable memories, but nothing else. Hopefully one day he\u2019ll have a fair and well-deserved recognition.<\/p>\n<p><span style=\"font-size: xx-small;\">Translated by P. Young<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seville is one of the cradles of cante flamenco [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":10194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[66],"tags":[],"class_list":["post-10196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-archivo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sevilla forgot about Pepe Pinto - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sevilla forgot about Pepe Pinto - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"Seville is one of the cradles of cante flamenco [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-27T13:04:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-13T13:05:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1300\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manuel Boh\u00f3rquez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manuel Boh\u00f3rquez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/\"},\"author\":{\"name\":\"Manuel Boh\u00f3rquez\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\"},\"headline\":\"Sevilla forgot about Pepe Pinto\",\"datePublished\":\"2016-01-27T13:04:07+00:00\",\"dateModified\":\"2019-03-13T13:05:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/\"},\"wordCount\":766,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg\",\"articleSection\":[\"Blog El Bordonazo\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/\",\"name\":\"Sevilla forgot about Pepe Pinto - Archivo Expoflamenco\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg\",\"datePublished\":\"2016-01-27T13:04:07+00:00\",\"dateModified\":\"2019-03-13T13:05:06+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#primaryimage\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg\",\"contentUrl\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2019\\\/03\\\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg\",\"width\":1300,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog-archivo\\\/sevilla-forgot-about-pepe-pinto\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sevilla forgot about Pepe Pinto\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#website\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"name\":\"Archivo Expoflamenco\",\"description\":\"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n\",\"publisher\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#organization\",\"name\":\"Expoflamenco\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"contentUrl\":\"https:\\\/\\\/www.expoflamenco.com\\\/archivo\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/banner-cabecera-mobile.jpg\",\"width\":299,\"height\":75,\"caption\":\"Expoflamenco\"},\"image\":{\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/ExpoFlamenco\",\"https:\\\/\\\/x.com\\\/expoflamenco1\",\"https:\\\/\\\/www.instagram.com\\\/expoflamenco\\\/\",\"https:\\\/\\\/www.youtube.com\\\/expoflamenco\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/#\\\/schema\\\/person\\\/608d65b2c159f7b5b632f1365c15030f\",\"name\":\"Manuel Boh\u00f3rquez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g\",\"caption\":\"Manuel Boh\u00f3rquez\"},\"description\":\"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...\",\"sameAs\":[\"http:\\\/\\\/www.manuelbohorquez.com\"],\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/author\\\/manuelbohorquez\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sevilla forgot about Pepe Pinto - Archivo Expoflamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/","og_locale":"en_US","og_type":"article","og_title":"Sevilla forgot about Pepe Pinto - Archivo Expoflamenco","og_description":"Seville is one of the cradles of cante flamenco [&hellip;]","og_url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/","og_site_name":"Archivo Expoflamenco","article_publisher":"https:\/\/www.facebook.com\/ExpoFlamenco","article_published_time":"2016-01-27T13:04:07+00:00","article_modified_time":"2019-03-13T13:05:06+00:00","og_image":[{"width":1300,"height":800,"url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg","type":"image\/jpeg"}],"author":"Manuel Boh\u00f3rquez","twitter_card":"summary_large_image","twitter_creator":"@expoflamenco1","twitter_site":"@expoflamenco1","twitter_misc":{"Written by":"Manuel Boh\u00f3rquez","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#article","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/"},"author":{"name":"Manuel Boh\u00f3rquez","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f"},"headline":"Sevilla forgot about Pepe Pinto","datePublished":"2016-01-27T13:04:07+00:00","dateModified":"2019-03-13T13:05:06+00:00","mainEntityOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/"},"wordCount":766,"commentCount":0,"publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg","articleSection":["Blog El Bordonazo"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/","url":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/","name":"Sevilla forgot about Pepe Pinto - Archivo Expoflamenco","isPartOf":{"@id":"https:\/\/expoflamenco.com\/archivo\/#website"},"primaryImageOfPage":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#primaryimage"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#primaryimage"},"thumbnailUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg","datePublished":"2016-01-27T13:04:07+00:00","dateModified":"2019-03-13T13:05:06+00:00","breadcrumb":{"@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#primaryimage","url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg","contentUrl":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/20160127_sevilla-se-olvido-de-pepe-pinto.jpg","width":1300,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/expoflamenco.com\/archivo\/en\/blog-archivo\/sevilla-forgot-about-pepe-pinto\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/expoflamenco.com\/archivo\/en\/"},{"@type":"ListItem","position":2,"name":"Sevilla forgot about Pepe Pinto"}]},{"@type":"WebSite","@id":"https:\/\/expoflamenco.com\/archivo\/#website","url":"https:\/\/expoflamenco.com\/archivo\/","name":"Archivo Expoflamenco","description":"Portal de arte flamenco: noticias, entrevistas, blogs, cr\u00edticas, investigaci\u00f3n","publisher":{"@id":"https:\/\/expoflamenco.com\/archivo\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/expoflamenco.com\/archivo\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/expoflamenco.com\/archivo\/#organization","name":"Expoflamenco","url":"https:\/\/expoflamenco.com\/archivo\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/","url":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","contentUrl":"https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2022\/11\/banner-cabecera-mobile.jpg","width":299,"height":75,"caption":"Expoflamenco"},"image":{"@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ExpoFlamenco","https:\/\/x.com\/expoflamenco1","https:\/\/www.instagram.com\/expoflamenco\/","https:\/\/www.youtube.com\/expoflamenco"]},{"@type":"Person","@id":"https:\/\/expoflamenco.com\/archivo\/#\/schema\/person\/608d65b2c159f7b5b632f1365c15030f","name":"Manuel Boh\u00f3rquez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e4c8fcbcd4cb54196f6756c157a4aba7f9698d5a2261e73a15b5bf66f4495366?s=96&r=g","caption":"Manuel Boh\u00f3rquez"},"description":"Arahal, Sevilla, 1958. Cr\u00edtico de flamenco, periodista y escritor. 40 a\u00f1os de investigaci\u00f3n flamenca en El Correo de Andaluc\u00eda. Autor de biograf\u00edas de la Ni\u00f1a de los Peines, Carbonerillo, Manuel Escacena, Tom\u00e1s Pav\u00f3n, Fernando el de Triana, Manuel Gerena, Canario de \u00c1lora...","sameAs":["http:\/\/www.manuelbohorquez.com"],"url":"https:\/\/expoflamenco.com\/archivo\/en\/author\/manuelbohorquez\/"}]}},"_links":{"self":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/comments?post=10196"}],"version-history":[{"count":1,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10196\/revisions"}],"predecessor-version":[{"id":10197,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/posts\/10196\/revisions\/10197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media\/10194"}],"wp:attachment":[{"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/media?parent=10196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/categories?post=10196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/expoflamenco.com\/archivo\/en\/wp-json\/wp\/v2\/tags?post=10196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}