{"id":9617,"date":"2019-03-02T23:08:54","date_gmt":"2019-03-02T22:08:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/?page_id=9617"},"modified":"2021-07-23T07:53:53","modified_gmt":"2021-07-23T05:53:53","slug":"signatures","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/en\/signatures\/","title":{"rendered":"Guests"},"content":{"rendered":"

[vc_row css=”.vc_custom_1550519671227{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”150px”][vc_column_text]<\/p>\n

Invited guests<\/span><\/span><\/h1>\n

[\/vc_column_text][vc_empty_space height=”150px”][\/vc_column][\/vc_row][vc_row content_width=”grid” css=”.vc_custom_1548272622205{padding-top: 50px !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/6″][\/vc_column][\/vc_row][vc_row content_width=”grid” css=”.vc_custom_1548272622205{padding-top: 50px !important;}”][vc_column]

\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n The Deep Joy of Flamenco<\/a>\n <\/h5>\n <\/div>\n
\n
Antonio Parra<\/a><\/div>
\n \t\n Feb 22, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Academic Flamenco<\/a>\n <\/h5>\n <\/div>\n
\n
Faustino N\u00fa\u00f1ez<\/a><\/div>
\n \t\n Nov 06, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n The making of a flamenco guitar: wood<\/a>\n <\/h5>\n <\/div>\n
\n
Irra Torres<\/a><\/div>
\n \t\n Sep 28, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Is flamenco Spanish classical music?<\/a>\n <\/h5>\n <\/div>\n
\n
Faustino N\u00fa\u00f1ez<\/a><\/div>
\n \t\n Aug 18, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Has Carnival killed the flamenco star?<\/a>\n <\/h5>\n <\/div>\n
\n
Alejandro Luque<\/a><\/div>
\n \t\n Mar 08, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Glory to the Spanish Guitar<\/a>\n <\/h5>\n <\/div>\n
\n
Faustino N\u00fa\u00f1ez<\/a><\/div>
\n \t\n Jun 29, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Balance is the key to a good performance<\/a>\n <\/h5>\n <\/div>\n
\n
Faustino N\u00fa\u00f1ez<\/a><\/div>
\n \t\n Aug 17, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Juanito Villar, the best ambassador of Flamenco from C\u00e1diz<\/a>\n <\/h5>\n <\/div>\n
\n
Juan Garrido<\/a><\/div>
\n \t\n Jun 23, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n From the entrails of the conservatory<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Dec 11, 2019<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Arc\u00e1ngel by candlelight<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Sep 16, 2019<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Duende and ethnicity: confessions of a foreign flamenca<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Mar 23, 2019<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Isabelita de Jerez, a cantaora rescued from oblivion<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Mar 19, 2019<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Tale of a bailaora on her way<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Mar 14, 2019<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Those dreams of youth that come and go<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Dec 17, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n A street named after Parrilla de Jerez: a well-deserved honor<\/a>\n <\/h5>\n <\/div>\n
\n
Juan Garrido<\/a><\/div>
\n \t\n Dec 07, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n The importance of Pe\u00f1as in Jerez<\/a>\n <\/h5>\n <\/div>\n
\n
Juan Garrido<\/a><\/div>
\n \t\n Oct 05, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n A crazy dream, by David Carmona<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Sep 27, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n A festival with “female essence” is born.<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Sep 17, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Juanillorro, a Gypsy with pedigree from La Plazuela<\/a>\n <\/h5>\n <\/div>\n
\n
Juan Garrido<\/a><\/div>
\n \t\n Aug 28, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Year of transition in the Festival del Cante de las Minas.<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Aug 12, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n I Feel Gypsy<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 23, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n The Tower of Baile<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 18, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Flamenco pearls in Cartagena<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 18, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n A Good Moment for Baile in Jerez<\/a>\n <\/h5>\n <\/div>\n
\n
Juan Garrido<\/a><\/div>
\n \t\n Jun 08, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Omega, hurricane of electric resistance<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 06, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n The Gypsy neighborhoods of Jerez<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 04, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Flamenco in Puente Genil (II)<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 02, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Flamenco in Puente Genil (I)<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n Jun 01, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n Modernity and Postmodernism in flamenco<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n May 30, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
\n
\n \n \"\"\n <\/a>\n <\/div>\n
\n
\n
\n \u201cFlamencos por Am\u00e9rica\u201d celebrates Federico Garc\u00eda Lorca\u2019s anniversary<\/a>\n <\/h5>\n <\/div>\n
\n
Expoflamenco<\/a><\/div>
\n \t\n May 27, 2018<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div>
\n
\n <\/a>\n
\n 1<\/a>\n\n 2<\/a>\n\n 3<\/a>\n\n <\/div>\n <\/a>\n <\/div>\n<\/div>
\n
<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1550519671227{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-9617","page","type-page","status-publish","hentry"],"yoast_head":"\nGuests - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/signatures\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Guests - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"[vc_row css=”.vc_custom_1550519671227{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/cabecera-twitter.jpg?id=8010) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/signatures\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-23T05:53:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2023\/01\/Expo932x466.png\" \/>\n\t<meta property=\"og:image:width\" content=\"932\" \/>\n\t<meta property=\"og:image:height\" content=\"466\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/signatures\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/signatures\\\/\",\"name\":\"Guests - 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