{"id":8141,"date":"2019-01-24T15:35:54","date_gmt":"2019-01-24T15:35:54","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/estela-flamenca"},"modified":"2021-07-23T07:45:21","modified_gmt":"2021-07-23T05:45:21","slug":"estela-flamenca","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/en\/estela-flamenca\/","title":{"rendered":"Estela Flamenca"},"content":{"rendered":"

[vc_row css=”.vc_custom_1550519164219{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/1905x390banner-1.jpg?id=9024) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”150px”][vc_column_text]<\/p>\n

Estela Flamenca | Estela Zatania’s Blog<\/span><\/span><\/h1>\n

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\n Pepe Priego, in remembrance<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 23, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Tangos a la Carte<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 06, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n El Gineto de C\u00e1diz: memories of a time, a place, a feeling<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Apr 18, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Mariano Parra, American maestro of flamenco and Spanish dance, has died at 91<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Mar 30, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Memories of Good Friday in Utrera<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Mar 19, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Twenty years without la Paquera<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Mar 06, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Ni\u00f1o Miguel, a soul off-tune<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Feb 18, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Bulla, burler\u00eda\u2026 \u00a1Buler\u00edas!<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Feb 05, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n K. Meira Goldberg: \u00abFlamenco in general is becoming more popular in the States, both dance and guitar\u00bb<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 20, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n What is ‘duende’? Does it even exist?<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 02, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Pedro Pe\u00f1a, 1939-2023<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Dec 24, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Antonio Mairena, portrait of a singer and his times<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Dec 08, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Mora\u00edto, Palma de Plata 2023<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Nov 20, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n The legacy of Carmen Amaya 60 years after her passing<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Nov 02, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Paco de Luc\u00eda y familia: El plan maestro<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 19, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Pastora Galv\u00e1n\u2026 brave, different, free<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 10, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n Marote, genius forgotten<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Sep 21, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \u201cFlamenco-The Land is Still Fertile\u201d: a new documentary defends the most classic sort of flamenco<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Sep 07, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div>
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<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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