{"id":8118,"date":"2019-01-24T15:35:09","date_gmt":"2019-01-24T15:35:09","guid":{"rendered":"https:\/\/www.expoflamenco.com\/archivo\/blog"},"modified":"2021-07-23T07:34:01","modified_gmt":"2021-07-23T05:34:01","slug":"blog","status":"publish","type":"page","link":"https:\/\/expoflamenco.com\/archivo\/en\/blog\/","title":{"rendered":"Blog El Bordonazo"},"content":{"rendered":"

[vc_row css=”.vc_custom_1550518434968{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/1905x390banner2-2.jpg?id=9019) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”150px”][vc_column_text]<\/p>\n

El bordonazo | Manuel Boh\u00f3rquez’s Blog<\/span><\/span><\/h1>\n

[\/vc_column_text][vc_empty_space height=”150px”][\/vc_column][\/vc_row][vc_row content_width=”grid” css=”.vc_custom_1548272622205{padding-top: 50px !important;}”][vc_column][\/vc_column][\/vc_row][vc_row content_width=”grid” css=”.vc_custom_1548272622205{padding-top: 50px !important;}”][vc_column]

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\n Paco was not a God<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Mar 21, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and La Alameda de H\u00e9rcules<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Feb 18, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Paco\u2019s fanboys<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 19, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and his contradictions<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 11, 2024<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Riding the bus with Angelita Vargas: \u00abMy footwork is like I\u2019m stepping on my sorrows\u00bb<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Nov 14, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Lebrija is well worth the trip<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 28, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and the pranks of the masters<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 24, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and Triana<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 05, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Flamenco Expo in Jerez<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Feb 01, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Ni\u00f1o Gloria in Seville<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 26, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Farruco\u2019s Dignity<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jan 13, 2023<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Happy Flamenco Holidays!<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Dec 27, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Goodbye, Masami Okada<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Dec 16, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Tears for Manolete<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Sep 12, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n An ExpoFlamenco series will pay tribute to Andalusian towns, their artists, and fans<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 17, 2022<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Manuela at the Malaga Biennial<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 18, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and the flamenco dynasties<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n May 04, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n ExpoFlamenco takes another step towards supporting \u201cel arte jondo\u201d<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Apr 10, 2021<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n A Broken Heart<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 24, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n The refreshing baile of Alejandra Pach\u00f3n<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 12, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"critica\n <\/a>\n <\/div>\n
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\n The Bienal festival and the critics<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Oct 07, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Fearing the critics in Seville\u2019s Bienal festival?<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Sep 08, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Miguel Poveda and the new artists<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Aug 31, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Let them know flamenco<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Aug 13, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and flamenco\u2019s private parties<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Aug 05, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and the things flamencos say<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 26, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Sixty years without Vallejo<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 16, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa talks about sharing experiences with flamenco artists<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 11, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n Grandpa and flamenco\u2019s anarchy<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jul 02, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div>
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\n \n \"\"\n <\/a>\n <\/div>\n
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\n
\n A story about Tom\u00e1s<\/a>\n <\/h5>\n <\/div>\n
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\n \t\n Jun 26, 2020<\/span>\n \t<\/a>\n \n<\/div> <\/div>\n <\/div>\n<\/div> <\/div>
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<\/div>\n<\/div><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1550518434968{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/1905x390banner2-2.jpg?id=9019) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-8118","page","type-page","status-publish","hentry"],"yoast_head":"\nBlog El Bordonazo - Archivo Expoflamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expoflamenco.com\/archivo\/en\/blog\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blog El Bordonazo - Archivo Expoflamenco\" \/>\n<meta property=\"og:description\" content=\"[vc_row css=”.vc_custom_1550518434968{background-image: url(https:\/\/www.expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/02\/1905x390banner2-2.jpg?id=9019) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expoflamenco.com\/archivo\/en\/blog\/\" \/>\n<meta property=\"og:site_name\" content=\"Archivo Expoflamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ExpoFlamenco\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-23T05:34:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2023\/01\/Expo932x466.png\" \/>\n\t<meta property=\"og:image:width\" content=\"932\" \/>\n\t<meta property=\"og:image:height\" content=\"466\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@expoflamenco1\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog\\\/\",\"url\":\"https:\\\/\\\/expoflamenco.com\\\/archivo\\\/en\\\/blog\\\/\",\"name\":\"Blog El Bordonazo - 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