{"version":"1.0","provider_name":"Archivo Expoflamenco","provider_url":"https:\/\/expoflamenco.com\/archivo\/en\/","title":"Those who quit traditional flamenco - Archivo Expoflamenco","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9bnd75D0OH\"><a href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/\">Those who quit traditional flamenco<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/those-who-quit-traditional-flamenco\/embed\/#?secret=9bnd75D0OH\" width=\"600\" height=\"338\" title=\"&#8220;Those who quit traditional flamenco&#8221; &#8212; Archivo Expoflamenco\" data-secret=\"9bnd75D0OH\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/expoflamenco.com\/archivo\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/03\/rocio-marquez-2.jpg","thumbnail_width":1300,"thumbnail_height":800,"description":"No performer of cante has the obligation of spending their whole lives singing in the traditional way, only with guitar accompaniment, without faking it and sticking to previously-established patterns. It\u2019s nice when they do that, but it\u2019s not an obligation. That\u2019s what the cantaora from Huelva Roc\u00edo M\u00e1rquez seems to believe, that we are trying to prevent her from \u201cevolving\u201d. Antonio Mairena revolutionized cante, but he didn\u2019t destroy anything, on the contrary: he made great everything he sang. There seem to be professionals of cante, baile and guitar who believe that we, the critics, are part of a cabinet for the control of flamenco purity or something."}