{"version":"1.0","provider_name":"Archivo Expoflamenco","provider_url":"https:\/\/expoflamenco.com\/archivo\/en\/","title":"The forgotten Carito de Jerez - Archivo Expoflamenco","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lXc4aba8yq\"><a href=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-forgotten-carito-de-jerez\/\">The forgotten Carito de Jerez<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/expoflamenco.com\/archivo\/en\/bordonazo-new\/the-forgotten-carito-de-jerez\/embed\/#?secret=lXc4aba8yq\" width=\"600\" height=\"338\" title=\"&#8220;The forgotten Carito de Jerez&#8221; &#8212; Archivo Expoflamenco\" data-secret=\"lXc4aba8yq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/expoflamenco.com\/archivo\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/expoflamenco.com\/archivo\/wp-content\/uploads\/2019\/08\/expoflamenco-cantaor-manuel-caro-cuellar-carito.jpg","thumbnail_width":1300,"thumbnail_height":800,"description":"Manuel Caro Cu\u00e9llar Carito arrived in the capital of Andalusia before any other flamenco artist. He had two important Gypsy influences: Loco Mateo and Manuel Molina. He already performed in Seville in the 1860s, when cante was still limited to the bolero academies, and he sang with other cantaores such as Sartorio, Lorente, Perea del Puerto, Enrique Prado, Juraco and Silverio"}