1.0Archivo Expoflamencohttps://expoflamenco.com/archivo/en/Of artists and imitators - Archivo Expoflamencorich600338<blockquote class="wp-embedded-content" data-secret="qCejQ6PUQA"><a href="https://expoflamenco.com/archivo/en/estela-flamenca/of-artists-and-imitators/">Of artists and imitators</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://expoflamenco.com/archivo/en/estela-flamenca/of-artists-and-imitators/embed/#?secret=qCejQ6PUQA" width="600" height="338" title="“Of artists and imitators” — Archivo Expoflamenco" data-secret="qCejQ6PUQA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://expoflamenco.com/archivo/wp-content/uploads/2020/01/expoflamenco-duquende-manuel-moneo-el-pele-montaje-estela-zatania.jpg1300800I’m wary of the person whose main objective is innovation. Unexpected discovery is the more honest and effective route. In my opinion, there is only one obligation, that of being authentic, and faithful to the flamenco intent if we want this brilliant art-form to continue existing.